Search Results

AO Onsite – New York: White Columns’ Benefit Exhibition and Auction Saturday, May 15, 2010

Tuesday, May 18th, 2010

Go See – Nottingham, UK: “David Hockney: 1960-1968, A Marriage of Styles” at the newly opened Nottingham Contemporary through January 24th, 2010

Sunday, December 6th, 2009

News Roundup: The snowballing of a controversy over the New Museum’s decision to exhibit trustee Dakis Joannou’s collection

Monday, November 16th, 2009

AO News: Winners of ‘Rob Pruitt Presents: The First Annual Art Awards’ Announced at Ceremony at the Guggenheim Museum

Friday, October 30th, 2009

AO On Site – New York: Juergen Teller’s ‘Paradis’ at Lehmann Maupin, Thursday, September 10, 2009

Monday, September 14th, 2009

Go See – New York: “Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection” at the MOMA, Through January 4, 2010

Monday, September 7th, 2009

Go See – Wolfsburg, Germany: 15 Years of Collecting – Against the Grain at Kunstmuseum Wolfsburg, through September 13, 2009

Friday, August 28th, 2009

AO Onsite Auction/Event Review: The 16th Annual Watermill Summer Benefit, Watermill, New York. Saturday July 25, 2009

Wednesday, July 29th, 2009

AO Auction/Event Preview -Watermill, New York: The 16th Annual Watermill Summer Auction and Benefit July 25, 2009

Thursday, July 23rd, 2009

Go See – New York: Alice Neel 'Selected Works' At David Zwirner and 'Nudes of the 1930s' at Zwirner & Wirth through June 20, 2009

Wednesday, June 3rd, 2009

Go See: Hernan Bas at the Brooklyn Museum, New York, through May 24, 2009

Monday, March 2nd, 2009

Newslinks for Sunday, February 8th, 2009

Sunday, February 8th, 2009

AO On Site Photoset/Video/News Wrapup: Art Basel Miami Beach Survives in 2008

Wednesday, December 10th, 2008

Go See: Catherine Opie’s Midcareer Survey at Guggeinheim Museum, New York, through January 7, 2009

Monday, October 27th, 2008

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Newslinks: Thursday June, 19 2008

Thursday, June 19th, 2008

Go See-Schwabisch Hall: David Hockney- Just Nature at the Kunsthalle Wurth through September 27th 2009

Thursday, September 3rd, 2009

Go See – Berlin: Kazimir Malevich ‘Autobiography’ at the Galerija Gregor Podnar, through September 19, 2009

Monday, August 31st, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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