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AO On Site – Paris: FIAC Preview (with photoset) and News Summary, October 20–23, 2011

Thursday, October 20th, 2011

AO On Site – Paris: FIAC 2010 Art Fair Review and Final Photo Set

Monday, October 25th, 2010

AO On Site – Paris: FIAC 2010 Mid-Fair News Brief and Photo Set 1 of 2 (final photo set to follow the conclusion of the fair)

Thursday, October 21st, 2010

AO On Site – Paris: FIAC 2010 begins at the Grand Palais and the Cour Carrée du Louvre through Sunday October 24th

Tuesday, October 19th, 2010

AO On Site; FIAC Round-Up: many reserves, not many sales made on “modern masterworks” and Saadane Afif announced as winner The Marcel Duchamp Prize

Monday, October 26th, 2009

AO Onsite: FIAC Has Begun in Paris and will run through October 25th

Thursday, October 22nd, 2009

Atelier Van Lieshout Work to Go to Centre Pompidou

Tuesday, October 17th, 2017

Paris’s Grand Palais to Close for Two Year Renovation in 2020

Wednesday, January 11th, 2017

Francois Pinault Signs Lease for Museum in Bourse de Commerce

Wednesday, April 27th, 2016

Melik Ohanian Wins Marcel Duchamp Prize

Tuesday, October 27th, 2015

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 14th – 17th, 2015

Sunday, October 18th, 2015

New York – Frank Stella: “Shape as Form” at Paul Kasmin Gallery Through October 10th, 2015

Wednesday, September 30th, 2015

Paris – “Decorum: Carpets and Tapestries by Artists” at Musée d’Art Moderne, through February 9th 2014

Monday, February 3rd, 2014

AO On Site Photoset, with link summary – Art Basel Miami Beach 2011: Main Fair Preview and News Summary, Wednesday, November 30, 2011

Thursday, December 1st, 2011

AO On Site – Paris: Galleries Night Out, featuring events at Thaddaeus Ropac (Alex Katz, Banks Violette), Emmanuel Perrotin (Takashi Murakami, Xavier Veilhan, Wim Delvoye), and Chantal Crousel (Thomas Hirschhorn, Wolfgang Tillmans), October 20, 2011

Saturday, October 22nd, 2011

Go See – Paris: Cy Twombly at Gagosian Gallery Paris Inaugurial Exhibition, October 20 through December 23, 2010

Friday, November 19th, 2010

AO On Site Auction Results – New York: Christie’s Impressionist and Modern Evening Sale, November 3, 2009

Wednesday, November 4th, 2009

Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009

Newslinks for Wednesday, October 14th, 2009

Wednesday, October 14th, 2009

Newslinks for Monday, August 3, 2009

Monday, August 3rd, 2009

Newslinks for Monday, November 3rd, 2008

Monday, November 3rd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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