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AO Preview – Frieze London Art Fair in Regent’s Park, October 6th – 9th, 2016

Monday, October 3rd, 2016

AO On Site – New York: Frieze New York Art Fair on Randall’s Island May 14th-17th, 2015

Saturday, May 16th, 2015

AO Fair Photoset and Recap – London: Frieze Artfair at Regent’s Park, October 17th-20th, 2013

Sunday, October 20th, 2013

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

Frieze and FIAC Force Collectors to Choose Between Fairs this October

Tuesday, October 24th, 2017

Frieze Sees Allegedly Looted Greek Vases on Sale During London Fair

Tuesday, October 24th, 2017

AO On-Site – London: 1:54 African Art Fair and Sunday Art Fair, October 5th – 8th, 2017

Tuesday, October 10th, 2017

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

Loring Randolph Joins Frieze as Artistic Director of Americas

Monday, September 25th, 2017

Frieze New York Lowers Prices for Small Galleries, Adds New Co-Curator

Thursday, July 6th, 2017

Abby Bangser Leaves Frieze for Special Position at Dia Art Foundation

Wednesday, May 17th, 2017

AO On-Site – New York: Frieze New York, May 4th – 7th, 2017

Sunday, May 7th, 2017

AO On-Site – New York: 1:54 Contemporary African Art Fair at Pioneer Works, May 5th – 7th, 2017

Sunday, May 7th, 2017

Ruba Katrib Joins Frieze London as Curatorial Advisor

Friday, January 20th, 2017

AO On-Site – Paris: FIAC Art Fair at the Grand Palais, October 20-23rd, 2016

Thursday, October 20th, 2016

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 20th-23rd, 2016

Tuesday, October 18th, 2016

Frieze Makes Effort to Accommodate Young Galleries at Fair

Saturday, October 8th, 2016

Frieze Artist Award Winner Yuri Pattison Interviewed in Art Newspaper

Saturday, October 8th, 2016

Bloomberg Traces Impacts of Fair Fatigue, Packed Calendar for Gallerists and Collectors

Thursday, October 6th, 2016

Bloomberg Looks at Gallery Strategies for Selling Works at Frieze

Wednesday, October 5th, 2016

Frieze London Announces Projects for 2016 Edition of Fair

Monday, June 27th, 2016

AO On-Site – New York: 1:54 Contemporary African Art Fair, May 5th-8th, 2016

Sunday, May 8th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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Getty Museum Survives Brutal California Wildfires

December 13th, 2017

Getty, via ReutersThe Getty has survived a week of chaotic wildfires, keeping its collection intact while flames raged around the museum by wetting the surrounding hills with water and closing off all air intake valves. “By putting all these bells and whistles in, we are able to wet down our hillsides, close intake valves and keep smoke and debris out,” says Linda Somerville, assistant director of insurance and risk management for the J. Paul Getty Trust.
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The Frick Collection Acquires First Work in 30 Years

December 13th, 2017

François-Pascal-Simon Gérard, via ArtforumThe Frick Collection has acquired its first work since 1991, a 7-feet-tall portrait of Prince Camillo Borghese by François-Pascal-Simon Gérard, Artforum reports. “The last opportunity the Frick had to purchase a major French School painting was nearly thirty years ago, with the acquisition of [Jean-Antoine] Watteau’s Portal of Valenciennes,” director Ian Wardropper says. “Today, it is deeply rewarding to have the rare opportunity to bring to the museum such an important work as this one, a historic portrait we feel would have compelled Henry Clay Frick. While the portrait has been shown in Rome, it has never been seen publicly in America.”


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