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AO On Site with Photoset – New York: Frieze Art Fair on Randall’s Island, MAY 4–7, 2012

Friday, May 4th, 2012

Metallica’s drummer to sell Basquiat painting at Christie’s New York, November 12th auction; ‘Boxer’ to be displayed during Frieze Art Fair in London

Wednesday, October 15th, 2008

AO Auction Preview – New York: Auction Week in New York City, May 8th-9th, 14 – 17th, 2018

Tuesday, May 8th, 2018

New York – 1:54 Contemporary African Art Fair at Pioneer Works Through May 6th, 2018

Monday, May 7th, 2018

Gallerists Discuss “Robin Hood” Tax at Frieze

Thursday, May 3rd, 2018

Sean Kelly to Interview Collectors at Frieze Booth

Thursday, May 3rd, 2018

AO Preview – New York: The Armory Show Art Week, March 8th – 11th, 2018

Tuesday, March 6th, 2018

Frieze to Launch Los Angeles Edition Next February

Saturday, February 24th, 2018

Frieze and FIAC Force Collectors to Choose Between Fairs this October

Tuesday, October 24th, 2017

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

Loring Randolph Joins Frieze as Artistic Director of Americas

Monday, September 25th, 2017

AO On-Site – New York: 1:54 Contemporary African Art Fair at Pioneer Works, May 5th – 7th, 2017

Sunday, May 7th, 2017

New York: TEFAF New York Spring Debut at Park Avenue Armory, May 4th-8th, 2017

Saturday, May 6th, 2017

John Currin Profiled in Art News

Wednesday, May 3rd, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

New York – Bernard Frize: “Dawn Comes Up So Young” at Galerie Perrotin Through June 18th, 2016

Thursday, June 16th, 2016

AO On-Site – New York: 1:54 Contemporary African Art Fair, May 5th-8th, 2016

Sunday, May 8th, 2016

AO Auction Recap – New York: Christie’s “Bound to Fail” Curated Evening Sale, May 8th, 2016

Sunday, May 8th, 2016

New York – NADA New York at Basketball City on Pier 36, May 5th – 8th, 2016

Saturday, May 7th, 2016

AO Auction Preview – New York: Spring Auction Week, May 8th – 12th, 2016

Friday, May 6th, 2016

NADA New York Announces Exhibitor List

Saturday, March 19th, 2016

Despite Increasing Art World Globalization, New York and London Remain Market Hubs

Friday, October 16th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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