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Adam Weinberg Receives Insignia of Officer of the Order of Arts and Letters from France

Sunday, November 22nd, 2015

Paris – Daniel Buren: “Au fur et à mesure, travaux in situ et situés” (“Bit by Bit: In Situ and Situated Works”) at Kamel Mennour through March 21st, 2015

Wednesday, March 11th, 2015

AO on Site Photoset – Paris: FIAC Art Fair, October 23rd – 27th, 2013

Sunday, October 27th, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

AO On Site – New York: Daniel Buren’s ”Electricity..Fabric..Paint..Vinyl” at Bortolami Gallery and Petzel Gallery Through February 16th,2013

Monday, February 4th, 2013

AO On Site – Paris: FIAC Week Wrapup and Final Photoset, October 18th – 21st, 2012

Sunday, October 21st, 2012

AO On Site – Paris: FIAC Vernissage Photoset, Wednesday, October 17th, 2012

Thursday, October 18th, 2012

Paris – FIAC 39th International Contemporary Art Fair Week Preview: October 18th-21st, 2012

Wednesday, October 17th, 2012

AO Newslink

Friday, May 11th, 2012

Friday, April 6th, 2012

London: Anselm Kiefer at White Cube Bermondsey through February 26, 2012

Friday, January 20th, 2012

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

AO On Site Photoset – Paris: FIAC Sculpture Garden at the Tuileries, October 20-23, 2011

Sunday, October 23rd, 2011

AO On Site (with Photoset) – Paris: FIAC 2011 Opening Day Review, October 21, 2011

Saturday, October 22nd, 2011

AO On Site – Paris: FIAC Preview (with photoset) and News Summary, October 20–23, 2011

Thursday, October 20th, 2011

Go See – Paris: “Paris – Delhi – Bombay” at Centre Pompidou through September 19th, 2011

Wednesday, September 7th, 2011

Go See – Paris: “Manet, the Man Who Invented Modernity” at Musée d’Orsay, through July 3, 2011

Saturday, June 25th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Anish Kapoor’s “Ascension” at Basilica San Giorgio di Maggiore

Saturday, June 4th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset and interview) of Christian Boltanski’s “Chance” at the French Pavilion

Wednesday, June 1st, 2011

AO On Site – Paris: FIAC 2010 Art Fair Review and Final Photo Set

Monday, October 25th, 2010

AO On Site – Paris: FIAC 2010 Mid-Fair News Brief and Photo Set 1 of 2 (final photo set to follow the conclusion of the fair)

Thursday, October 21st, 2010

AO On Site – New York: Christian Boltanski 'NO MAN'S LAND' at Park Avenue Armory, through June 13, 2010

Wednesday, May 26th, 2010

Don’t Miss – Athens: Pablo Picasso “Experiments in Linogravure” at Gagosian Gallery, Athens through April 10, 2010

Thursday, April 8th, 2010

Go See – Cleveland: 'Paul Gauguin: Paris 1889' at the new Rafael Vinoly designed Cleveland Museum of Art through January 18th, 2010

Wednesday, December 2nd, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Visitor Injured After Falling into Anish Kapoor Work

August 20th, 2018

Anish Kapoor, via Art NewspaperA visitor to an Anish Kapoor show at the Serralves museum in Porto was injured after falling into one of the artist’s works, an 8-foot deep hole titled Descent into Limbo. The visitor is believed to have slipped and fell, although an investigation is still underway. 
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Alex Katz Profiled in New Yorker

August 20th, 2018

Alex Katz, via New YorkerThe New Yorker has a piece this week on Alex Katz, and his impressive influence on the field of painting, despite remaining relatively overlooked by the art market’s blue-chip buyers.  “I never fit in,” he says. “I’m not a Pop artist, and people can’t see my work as realistic, either.”
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Met Director Max Hollein Profiled in Vogue

August 17th, 2018

Max Hollein, via VogueNew Met Museum Head Max Hollein gets a profile in Vogue, exploring his leadership style and vision for the storied institution. “Max likes to run things,” Dede Wilsey, the main patron of the Fine Arts Museums of San Francisco says. “He’s always way ahead of everybody in his thinking. So if he’s decided this is going to work at the Met, he’s figured out how it’s going to work.”
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