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Hauser & Wirth Representing Estate of August Sander

Friday, February 10th, 2017

Zurich – Henry Moore: “Myths and Poetry” at Hauser & Wirth Through March 11th, 2017

Sunday, February 5th, 2017

London – Ken Price: “A Survey of Sculptures and Drawings, 1959 – 2006″ at Hauser & Wirth Through February 4th, 2017

Saturday, January 21st, 2017

New York — Philip Guston: “Laughter in the Dark” at Hauser & Wirth Through January 28th, 2017

Friday, January 20th, 2017

New York – Rita Ackermann: “Kline Rape” at Hauser & Wirth Through January 14th, 2017

Wednesday, January 4th, 2017

New York – Paul McCarthy: “Raw Spinoffs Continuations” at Hauser & Wirth Through February 4th, 2016

Wednesday, December 28th, 2016

Los Angeles – Isa Genzken: “I Love Michael Asher at Hauser Wirth & Schimmel Through December 31st, 2016

Monday, December 26th, 2016

New York — Mike Kelley: “Memory Ware” at Hauser & Wirth Through December 23rd, 2016

Friday, December 23rd, 2016

Somerset – Louise Bourgeois: “Turning Inwards” at Hauser & Wirth Through January 1st, 2017

Monday, November 21st, 2016

Hauser and Wirth to Represent Estate of Arshile Gorky

Monday, October 3rd, 2016

New York – Rashid Johnson: “Fly Away” at Hauser and Wirth Through October 22nd, 2016

Sunday, September 18th, 2016

Zürich – “Schwitters Miró Arp” at Hauser and Wirth Through September 18th, 2016

Thursday, September 1st, 2016

New York — “A Modest Proposal” at Hauser & Wirth Through July 29th, 2016

Sunday, July 24th, 2016

London – Guillermo Kuitca at Hauser & Wirth Gallery Through July 28th, 2016

Thursday, June 16th, 2016

Hauser and Wirth to Set Up Shop at Former Dia Chelsea Building

Monday, June 13th, 2016

New York – Philip Guston: Painter, 1957 – 1967 at Hauser and Wirth Through July 29th, 2016

Monday, May 23rd, 2016

Los Angeles – “Revolution in the Making: Abstract Sculpture by Women, 1947-2016” at Hauser, Wirth & Schimmel Through September 4th, 2016

Sunday, May 8th, 2016

New York – Fausto Melotti at Hauser and Wirth Through June 18th, 2016

Saturday, May 7th, 2016

London – Mark Wallinger: “ID” at Hauser and Wirth Through May 7th, 2016

Wednesday, April 27th, 2016

New York – Larry Bell: “From the ’60s” at Hauser & Wirth Through April 9th, 2016

Wednesday, March 16th, 2016

New York — Berlinde De Bruyckere: “No Life Lost” at Hauser & Wirth Through April 2nd, 2016

Tuesday, March 15th, 2016

Hauser Wirth & Schimmel Makes Preservation Efforts on Property’s Murals

Thursday, March 10th, 2016

Hauser Wirth and Schimmel Gallery Profiled by LA Times

Monday, February 8th, 2016

Zurich – Tetsumi Kudo at Hauser and Wirth Through February 26th, 2016

Monday, January 11th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Sheila Hicks Profiled in New Yorker

March 20th, 2018

Sheila Hicks, via New YorkerArtist Sheila Hicks gets a profile in the New Yorker this week, as she reflects on her work and gives a tour of her studio. “You see the junk all over my studio?” she says of her cluttered studio and the practice that emerges from it. “It’s like drawing or sculpting with the scissors.”
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Former Art Basel Exec Magnus Renfrew to Launch Taipei Art Fair

March 20th, 2018

Dennis Chen, country head and head of wealth management, UBS Taiwan, and Magnus Renfrew, cofounder and director of Taipei Dangdai, via Art NewsFormer Art Basel fair head Magnus Renfrew is launching a new art fair, Taipei Dangdai, set to coincide with next year’s Taipei Biennial. “With Hong Kong, I was proud to be involved in organizing a fair that asserts itself as a global fair for the region and will remain so,” Renfrew says. “There is a big gap between Art Basel Hong Kong and other fairs in the region, in terms of quality and how they are progressing. It’s necessary to have other fairs that have real quality and don’t necessarily aspire to be the global fair for the region.” 
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Anthea Hamilton Interviewed in the Guardian

March 20th, 2018

Anthea Hamilton, via GuardianArtist Anthea Hamilton is interviewed in The Guardian this week, as the artist prepares a work for the Tate Britain’s Duveen Commission. “Well, I don’t think I’m allowed to talk about the work yet, I’d have to check,” she says drily. “But no, it’s not intimidating. The architecture is obviously very powerful but if you take that as a given, it’s not an issue.”
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