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AO Auction Recap – London: Sotheby’s Contemporary Art Evening Sale, October 5th, 2017

Friday, October 6th, 2017

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

AO On-Site: Printed Matter’s New York Art Book Fair, September 22nd – 24th, 2017

Friday, September 22nd, 2017

AO On-Site – Chicago: EXPO Chicago Art Fair, September 13th – 17th, 2017

Sunday, September 17th, 2017

Athens – Divine Dialogues: Cy Twombly and Greek Antiquity at the Museum Of Cycladic Art Through September 3, 2017

Wednesday, August 30th, 2017

Artist Cai Guo-Qiang Gives NYT Tour of New Jersey Home

Monday, August 21st, 2017

AO Auction Results – London: Sotheby’s Contemporary Art Evening Sale, June 28th, 2017

Wednesday, June 28th, 2017

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Monday, June 19th, 2017

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

New York Times Examines Market Trends and Challenges for Classical Art

Monday, June 12th, 2017

NYT Profiles Newly Renovated Los Angeles Art Foundations

Friday, May 19th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 7th, 2017.

Sunday, April 30th, 2017

Artist Banks Violette Interviewed in NYT

Tuesday, April 25th, 2017

Painter David Salle Profiles Wichita Art Community Where He Honed his Craft

Monday, April 17th, 2017

Berlin-“Fat City” by Marianne Vitale at Contemporary Fine Arts through April 22nd, 2017

Monday, April 17th, 2017

New York — Bjarne Melgaard: “The Casual Pleasure of Disappointment” at Red Bull Arts New York Through April 9th, 2017

Thursday, March 23rd, 2017

AO Preview – Hong Kong: Art Basel Hong Kong at Hong Kong Convention & Exhibition Center, March 23rd – 25th, 2017

Monday, March 20th, 2017

A.I. Friedman Art Supply Closes as Retail Continues to Struggle

Wednesday, March 15th, 2017

AO Auction Results – London: Phillips 20th Century & Contemporary Art Evening Sale, March 8th, 2017

Wednesday, March 8th, 2017

Artists Adam Pendleton, Rashid Johnson, Ellen Gallagher and Julie Mehretu Buy Nina Simone’s Birthplace

Friday, March 3rd, 2017

AO Auction Previews – London: Surrealist, Impressionist and Modern Art Evening Sales, February 28th – March 1st, 2017

Thursday, February 23rd, 2017

NYT Charts Issues with Donald Trump’s Travel Ban

Wednesday, February 1st, 2017

MoMA Throws Out Work by 1970’s Artist Pat Lasch

Tuesday, January 24th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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