Search Results

AO on Site – Art Basel Miami Beach 2010 – Main Fair Conclusion and Summary

Monday, December 6th, 2010

Go See – London: ‘BOULE TO BRAID’ at Lisson Gallery Through August 15, 2009

Sunday, July 19th, 2009

AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

AO On Site Photoset/Video/News Wrapup: Art Basel Miami Beach Survives in 2008

Wednesday, December 10th, 2008

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Go See: Lauffs Collection at Hauser & Wirth, Zürich through July 26

Thursday, June 26th, 2008

Galerie Almine Rech

Tuesday, December 25th, 2007

AO On Site Photoset – Art Basel Miami Beach 2011: Main Fair Overall Summary, December 1-4, 2011

Tuesday, December 6th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jail for Spanish Forger Who Attempted Sale of 15 Fake Works

February 21st, 2023

A Spanish court has sentenced an art collector to prison for selling a set of fake works, including a series of forged works attributed to Edvard Munch and Roy Lichtenstein.
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The Guardian Interviews Former Subjects of Painter Alice Neel

February 21st, 2023

The Guardian has a piece this week on what it was like to be painted by Alice Neel. “One day Alice said she wanted to paint me and to bring some things I could wear, so I packed a little suitcase and had various costumes,” says artist and sex activist Annie Sprinkle. “I’d just had my labia pierced and I was showing it off, and she really wanted to see that. She picked a leather outfit and I put a feather in my hair.”
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Alice Walton’s Art Bridges Foundation Behind $4.5 Million Robert Colescott Buy

February 21st, 2023

Alice Walton’s Art Bridges Foundation is apparently behind the $4.5 million purchase of a Robert Colescott at Bonhams this month. “This work in particular presents a hopeful and powerful message, and we are pleased that it resonated so strongly with individuals and institutions alike,” says Ralph Taylor, Bonhams’s global head for postwar and contemporary art.
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