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AO On Site – New York: Ryan Trecartin “Any Ever” at PS1 through September 3rd, 2011

Friday, July 1st, 2011

Go See – New York: Francis Alÿs, ‘A Story of Deception’ at the Museum of Modern Art and MoMA PS1 through August 1st, 2011

Sunday, June 12th, 2011

AO On Site: Bomb Magazine’s 30th Anniversary Gala and Silent Auction, Friday, April 15th 2011

Monday, April 18th, 2011

Go See – New York: Andy Warhol ‘Motion Pictures’ at MoMA through March 21st, 2011

Friday, February 4th, 2011

AO On Site Interview – New York: Performance Group CHERYL at Move!, MoMA PS1

Saturday, November 13th, 2010

Go See – London: Marina Abramović at Lisson Gallery through November 13, 2010

Friday, October 29th, 2010

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Don’t Miss – Queens, New York: Greater New York at MoMA PS1 Through October 18, 2010

Wednesday, August 18th, 2010

AO On Site – 6th Berlin Biennial for Contemporary Art: ‘what is waiting out there’ through August 8, 2010

Friday, June 11th, 2010

AO On Site – Long Island City: ‘Greater New York’ Opens at PS1 MoMA through October 20, 2010

Monday, May 24th, 2010

AO On Site – New York: Marina Abramović “The Artist Is Present” at MoMA, March 14 through May 31, 2010

Wednesday, March 31st, 2010

AO On Site – Marina Abramovic lecture at the MoMA, New York March 1st, 2010

Wednesday, March 3rd, 2010

Newslinks for Friday January 15th, 2010

Friday, January 15th, 2010

AO Onsite – Art Basel Miami Beach 2009 Round- up – “A lot less ornament and a lot more substance”

Monday, December 7th, 2009

AO on site – New York: Terence Koh’s “Art History: 1642 – 2009,” at the National Arts Club as part of Performa 09

Friday, November 20th, 2009

AO News: Winners of ‘Rob Pruitt Presents: The First Annual Art Awards’ Announced at Ceremony at the Guggenheim Museum

Friday, October 30th, 2009

Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009

AO OnSite: Making Intellectual Conversation Possible at ‘The Impossible Collection’ Dinner Hosted By Assouline, Accompanied Literary Society at The Mondrian Hotel

Wednesday, December 10th, 2008

Go See: Terence Koh ‘Flowers for Baudelaire,’ curated by Vito Schnabel, at 407 East 75th Street, New York, through January 2009

Wednesday, November 26th, 2008

Rev your engines and strap on your gasmask, Aaron Young is uptown

Tuesday, September 18th, 2007

AO Photoset – Rockaway! Presented by MoMA PS1 in Fort Tilden, June 29th through September 1st, 2014

Tuesday, July 1st, 2014

AO Onsite Auction/Event Review: The 16th Annual Watermill Summer Benefit, Watermill, New York. Saturday July 25, 2009

Wednesday, July 29th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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