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AO On Site – New York: Ryan Trecartin “Any Ever” at PS1 through September 3rd, 2011

Friday, July 1st, 2011

Go See – New York: Francis Alÿs, ‘A Story of Deception’ at the Museum of Modern Art and MoMA PS1 through August 1st, 2011

Sunday, June 12th, 2011

AO On Site: Bomb Magazine’s 30th Anniversary Gala and Silent Auction, Friday, April 15th 2011

Monday, April 18th, 2011

Go See – New York: Andy Warhol ‘Motion Pictures’ at MoMA through March 21st, 2011

Friday, February 4th, 2011

AO On Site Interview – New York: Performance Group CHERYL at Move!, MoMA PS1

Saturday, November 13th, 2010

Go See – London: Marina Abramović at Lisson Gallery through November 13, 2010

Friday, October 29th, 2010

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Don’t Miss – Queens, New York: Greater New York at MoMA PS1 Through October 18, 2010

Wednesday, August 18th, 2010

AO On Site – 6th Berlin Biennial for Contemporary Art: ‘what is waiting out there’ through August 8, 2010

Friday, June 11th, 2010

AO On Site – Long Island City: ‘Greater New York’ Opens at PS1 MoMA through October 20, 2010

Monday, May 24th, 2010

AO On Site – New York: Marina Abramović “The Artist Is Present” at MoMA, March 14 through May 31, 2010

Wednesday, March 31st, 2010

AO On Site – Marina Abramovic lecture at the MoMA, New York March 1st, 2010

Wednesday, March 3rd, 2010

Newslinks for Friday January 15th, 2010

Friday, January 15th, 2010

AO Onsite – Art Basel Miami Beach 2009 Round- up – “A lot less ornament and a lot more substance”

Monday, December 7th, 2009

AO on site – New York: Terence Koh’s “Art History: 1642 – 2009,” at the National Arts Club as part of Performa 09

Friday, November 20th, 2009

AO News: Winners of ‘Rob Pruitt Presents: The First Annual Art Awards’ Announced at Ceremony at the Guggenheim Museum

Friday, October 30th, 2009

Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009

AO OnSite: Making Intellectual Conversation Possible at ‘The Impossible Collection’ Dinner Hosted By Assouline, Accompanied Literary Society at The Mondrian Hotel

Wednesday, December 10th, 2008

Go See: Terence Koh ‘Flowers for Baudelaire,’ curated by Vito Schnabel, at 407 East 75th Street, New York, through January 2009

Wednesday, November 26th, 2008

Rev your engines and strap on your gasmask, Aaron Young is uptown

Tuesday, September 18th, 2007

AO Photoset – Rockaway! Presented by MoMA PS1 in Fort Tilden, June 29th through September 1st, 2014

Tuesday, July 1st, 2014

AO Onsite Auction/Event Review: The 16th Annual Watermill Summer Benefit, Watermill, New York. Saturday July 25, 2009

Wednesday, July 29th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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