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Fashion Editor Derek Blasberg Signs on with Gagosian Gallery

Friday, February 14th, 2014

Judge Rules Perelman Suit Against Gagosian Will Move Forward

Friday, February 7th, 2014

Gagosian Approved for Mayfair Space

Monday, December 16th, 2013

Paris – “Calder/Prouve” at Gagosian Through November 2nd, 2013

Thursday, October 3rd, 2013

Gagosian Asks Judge to Throw Out Perelman Lawsuit

Friday, June 7th, 2013

Gagosian to Open New London Space, His 13th Worldwide

Friday, May 3rd, 2013

Gagosian and Jan Cowles Reportedly Settle Lawsuit

Sunday, March 10th, 2013

Gagosian and Collector Further at Odds Over Unfinished Koons

Saturday, January 19th, 2013

District Court Judge Issues Court Finding On Gagosian Lawsuit

Thursday, January 17th, 2013

Damien Hirst to Leave Gagosian Gallery after 17 years of representation

Thursday, December 13th, 2012

Go See – New York: John Chamberlain at the Gagosian Gallery though July 8th, 2011

Thursday, June 30th, 2011

Go See – London: Alexander Calder ‘Sculptures Made Between 1939 and 1960’ at Gagosian Gallery through March 26, 2011

Saturday, March 19th, 2011

Go See – New York: Kazimir Malevich ‘Malevich and the American Legacy’ at Gagosian Gallery through April 30, 2011

Friday, March 11th, 2011

Go See – Beverly Hills: Andreas Gursky at Gagosian Gallery Beverly Hills through May 1st 2010

Sunday, April 18th, 2010

AO on Site: Richard Prince’s Canal Zone, Gagosian Gallery, Saturday, November 8th, Chelsea, New York

Thursday, November 13th, 2008

Go See: Richard Serra 'Sculpture' at Gagosian Gallery London through December 20, 2008

Sunday, October 5th, 2008

Go See: Red October Chocolate Factory at Gagosian in Moscow, September 18 through October 25, 2008

Friday, September 19th, 2008

Gagosian taps into the wealth of Russia with October show

Tuesday, August 19th, 2008

Auction tidbits: Larry Go-Gos for Jeff Koons… again

Thursday, November 15th, 2007

AO Preview – Miami Art Week in Miami Beach, December 5th – 10th, 2017

Monday, December 4th, 2017

AO Auction Results – London: Christie’s Impressionist and Modern Evening Sale, June 27th, 2017

Wednesday, June 28th, 2017

AO Auction Recap – New York: Christie’s Post-War and Modern Evening Sale, May 17th, 2017

Thursday, May 18th, 2017

AO On-Site: The Opening of Miami Art Week, November 29th, 2016

Wednesday, November 30th, 2016

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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