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Berlin Wall Paintings Under Threat from Property Development

Friday, March 1st, 2013

New York – “Chuck Close” At Pace Gallery, Through December 22nd, 2012

Tuesday, December 4th, 2012

Don't Miss – New York: Michaël Borremans: The Devil's Dress at David Zwirner through December 17, 2011

Friday, December 9th, 2011

AO On Site Art Basel Miami Beach 2011 – AO’s selected preview, guide, and news summary to the 10th Anniversary Art Basel Miami Beach Art Fair and associated events

Monday, November 28th, 2011

Go See – Hong Kong: Zeng Fanzhi at Gagosian Gallery through November 4th, 2011

Friday, October 21st, 2011

Go See – New York: Arshile Gorky at Gagosian Gallery until July 1st, 2011

Sunday, June 26th, 2011

Go See – Oslo: Dan Colen ‘Peanuts’ at Astrup Fearnley through April 24, 2011

Wednesday, February 9th, 2011

Go See – New York: Franz Xaver Messerschmidt “1736-1783: From Neoclassicism to Expressionism” at Neue Galerie Through January 10, 2011

Wednesday, December 22nd, 2010

AO On Site: New York: Lush Life Exhibitions on Display at 9 Lower East Side Galleries

Wednesday, July 14th, 2010

Go See – New York: Dominique Gonzalez-Foerster 'chronotopes & dioramas' presented by the Dia Art Foundation at the Hispanic Society of America through April 18, 2009

Friday, November 20th, 2009

AO Interview and Go See: Kathy Grayson, curator of ‘New York Minute’ at MACRO Future in Rome featuring Terence Koh, Dash Snow, Assume Vivid Astro Focus, Banks Violette, Jules de Balincourt, Nate Lowman, Steve “Espo” Powers, Scott Campbell, Cory Arcangel, Ryan McGinley, Aurel Schmidt and more through November 1, 2009

Monday, October 12th, 2009

More of Banksy in New York: Two more murals go up; animatronic show/installation "The Village Pet Store and Charcoal Grill" opens in West Village

Thursday, October 9th, 2008

Go See: 'Implant', over 45 artists and their bond with nature, at UBS Art Gallery, New York through October 31

Wednesday, September 3rd, 2008

Go see: The Martian Museum of Terrestrial Art, March 6 – May 18th, at the Barbican, London

Thursday, March 6th, 2008

Newslinks for 12.10.07

Monday, December 10th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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