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Pierre Le Guennec Claims He Was Hiding Picasso Works for Artist’s Wife

Tuesday, November 1st, 2016

Met’s Picasso Masterpiece Subject of Repatriation Lawsuit

Monday, October 3rd, 2016

The Guardian Looks at Picasso’s Relationship to Portraiture and His Sitters

Friday, September 30th, 2016

British Museum Acquires Important Series of Picasso Prints

Monday, September 26th, 2016

Françoise Gilot, Painter and Former Lover of Picasso, Interviewed in The Guardian

Monday, June 13th, 2016

Qatari Royal Family Settles Case for Picasso Bust, Ownership Unclear

Wednesday, May 25th, 2016

Museu Picasso and National Portrait Gallery Announced Joint Show of Picasso Portraits

Thursday, April 14th, 2016

Picasso Bust Case Sees Decision Allowing Qatari Agent to Interview Picasso’s Daughter

Friday, April 8th, 2016

New Information Pokes Holes in Claims by Picasso Heir Against Yves Bouvier

Saturday, March 19th, 2016

Picasso Bust Lawsuit Sees New Filings

Monday, March 14th, 2016

Vanity Fair Charts Difficulties of Managing Picasso Estate

Wednesday, March 9th, 2016

Paris – “Picasso.Mania” at Grand Palais Through February 29th, 2016

Sunday, February 21st, 2016

Maya Widmaier Picasso Speaks Out on Disputed Sale of Her Father’s Sculpture

Monday, February 8th, 2016

Temporary Agreement Reached in Battle Over Picasso Bust

Tuesday, February 2nd, 2016

Turkish Police Net Stolen Picasso in Undercover Sting

Tuesday, February 2nd, 2016

Lawsuit Filed Over Ownership of Major Picasso Bust

Wednesday, January 13th, 2016

MoMA Moving to Timed Tickets for Picasso Sculpture Show

Wednesday, November 4th, 2015

Seized Picasso Painting Has Major Implications for Ownership of Prominent Works

Monday, October 12th, 2015

Sotheby’s Selling Bill Koch-Owned Works by Picasso, Monet in New York this November

Monday, October 12th, 2015

Picasso’s Double-Sided “La Gommeuse” to Go On Sale This November at Sotheby’s

Sunday, October 11th, 2015

Dmitriy Rybolovlev to Return Picassos Claimed Stolen in New Chapter of Dispute with Yves Bouvier

Friday, September 25th, 2015

$15 Million Picasso Stolen from France Returned by US

Friday, August 14th, 2015

€25 Million Picasso Painting Seized Off Coast of Corsica

Wednesday, August 5th, 2015

Catherine Hutin-Blay Investigation Over Allegedly Stolen Picasso’s Uncovers More Missing Works

Friday, May 29th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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