Search Results

Clermont-Ferrand, France: Gert and Uwe Tobias at FRAC Auvergne through January 20th, 2013

Thursday, January 17th, 2013

New York Art Dealing Couple Ordered to Pay $18 million for Fleeing the Country With Client’s Art

Saturday, January 5th, 2013

Paris – FIAC 39th International Contemporary Art Fair Week Preview: October 18th-21st, 2012

Wednesday, October 17th, 2012

New York – “Josef Albers in America: Painting on Paper,” at The Morgan Library & Museum Through October 14th, 2012

Friday, October 12th, 2012

London: ‘Bauhaus: Art As Life’ at The Barbican Art Gallery through August 12, 2012

Friday, June 8th, 2012

AO Newslink

Tuesday, June 5th, 2012

Deceased Artists

Thursday, July 7th, 2011

AO Auction Results: Christie’s Impressionist and Modern Works; a large number of works fail to sell at the most valuable art auction ever held in the U.K., June 23, 2010

Thursday, June 24th, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Go See-New York: Kandinsky at the Guggenheim Museum, New York through January 10th 2010

Saturday, October 3rd, 2009

Go See – New York: In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976' at MoMA, through October 5, 2009

Friday, September 11th, 2009

Go See – Lausanne, Switzerland: Cézanne to Rothko at Fondation l’Hermitage, Featuring Braque, Warhol, Ernst, Twombly, Giacometti, Bacon, Renoir, Monet, and more, through October 25, 2009

Tuesday, August 25th, 2009

AO Auction Results: Christie’s Impressionist and Modern Art Evening Sale in London Held on Tuesday June 23rd Falls Short of Low Estimate

Wednesday, June 24th, 2009

Magritte Museum opens today in Brussels with largest collection of the artist’s work

Tuesday, June 2nd, 2009

Spectacular Yves Saint Laurent auction raises record breaking $264 million, sets records for Mondrian, Matisse

Tuesday, February 24th, 2009

Menil Drawing Institute to Open in November

Thursday, May 3rd, 2018

AO Onsite – Art Basel Miami Beach 2010 VIP Preview Day News Roundup and Photoset, Wednesday, December 1, 2010

Thursday, December 2nd, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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