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Go See – New York: Christian Marclay ‘The Clock’ at Paula Cooper Gallery Includes Multiple 24 Hour Overnight Screenings Through February 19, 2011

Monday, January 31st, 2011

Go See – New York: Dan Flavin at Paula Cooper Gallery through October 30, 2010

Friday, September 17th, 2010

Go See: Sophie Calle “Take Care of Yourself” US Debut at Paula Cooper Gallery, April 9-May 22, 2009

Saturday, April 18th, 2009

Don’t Miss: Rudolf Stingel at Paula Cooper 23rd Street, NY through June 7

Saturday, May 31st, 2008

Paula Cooper

Tuesday, December 25th, 2007

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 19th – 22nd, 2017

Wednesday, October 18th, 2017

Paris – “Olympia” Curated by Karma at Galerie Patrick Seguin Through November 26th, 2016

Sunday, November 20th, 2016

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 20th-23rd, 2016

Tuesday, October 18th, 2016

New York — “Landmark” at Socrates Sculpture Park Through August 28th, 2016

Sunday, August 14th, 2016

New York Times Looks at Galleries that Have Become Family Businesses

Sunday, June 19th, 2016

Basel – AO On-Site: Art Basel Art Fair, June 16th – 19th, 2016

Tuesday, June 14th, 2016

AO On-Site – New York: Independent NY at Spring Studios, March 3rd – 6th, 2016

Saturday, March 5th, 2016

AO On-Site: Art Basel at Messe Basel, June 18th-21st, 2015

Thursday, June 18th, 2015

MoMA Announces Donald Judd Retrospective for 2017

Sunday, May 24th, 2015

Los Angeles – Sam Durant: “Proposal for White and Indian Dead Monument Transpositions, Washington D.C.” at Los Angeles County Museum of Art Through November 30th, 2014

Tuesday, November 18th, 2014

Dia Foundation Use of Dan Flavin Work Leads to Debate

Tuesday, November 4th, 2014

Hans Haacke Profiled in New York Times

Monday, October 27th, 2014

AO Recap and Photoset – London: Frieze Art Fair at Regent’s Park, October 15th-18th, 2014

Tuesday, October 21st, 2014

New York – Sophie Calle: “Rachel, Monique” At The Church Of The Heavenly Rest Through June 25th, 2014

Sunday, June 22nd, 2014

AO On-Site: Dia Art Foundation Fall Gala, Monday, November 11, 2013

Monday, November 18th, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

Several Sol LeWitt Wall Drawings to Open in New York This Fall

Thursday, July 11th, 2013

San Francisco – SFMoMA Closing Celebration and Screening of “The Clock” by Christian Marclay, June 2nd, 2013

Thursday, June 6th, 2013

Christopher D’Amelio Leaves Gallery to Join David Zwirner

Sunday, January 20th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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