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New York – Mike Kelley at MoMA PS1 Through February 2nd, 2014

Wednesday, November 6th, 2013

New York – “EXPO 1″ at MoMA PS1 Through September 2nd, 2013

Monday, July 15th, 2013

MoMA PS1 Gets $3 Million in Funding for Expansion

Sunday, July 14th, 2013

New York – Robert Mapplethorpe: “Self Portraits” at Skarstedt Gallery, through June 15th 2013

Tuesday, June 11th, 2013

AO Interview With Artist Liliana Porter, Pinta New York’s Invited Artist for 2012, November 15th – 18th, 2012

Thursday, November 15th, 2012

Kassel: Quinquennial exhibition dOCUMENTA (13) opens in Kassel on June 9th, to run through September 16th, 2012

Monday, June 11th, 2012

Go See – London: Joseph Cornell and Karen Kilimnik at Sprueth Magers through August 27, 2010

Friday, August 6th, 2010

AO on Site – New York: The Bruce High Quality Foundation's 'Field of Dreams' Saturday, July 24th, 2010 in Prospect Park, Brooklyn

Monday, July 26th, 2010

Newslinks for Monday, August 24th, 2009

Sunday, August 23rd, 2009

Go See – East Hampton: Agathe Snow “Terrestrial Forms” at The Fireplace Project, through August 31, 2009 with interview Firplace Foundation founder, Edsel Williams

Friday, August 21st, 2009

Newslinks for Monday August 17, 2009

Monday, August 17th, 2009

2009 Venice Biennale – Art Observed summary of press preview weekend

Tuesday, June 9th, 2009

UK’s National Portrait Gallery raising funds to acquire Marc Quinn’s self-portrait made of blood

Tuesday, October 7th, 2008

AO On Site (with Video): Swoon and the ‘Swimming Cities of the Switchback Sea’ arrive at Deitch Studios in Long Island City, Sunday, September 7, 2008

Monday, September 8th, 2008

Go See: Olafur Eliasson at MoMA, New York, April 20- June 30

Monday, April 21st, 2008

Wang Guangyi

Saturday, March 29th, 2008

Takashi Murakami

Thursday, January 3rd, 2008

P.S.1 Contemporary Art Center

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Pace Gallery to Represent Acconci Studios

February 24th, 2018

Vito Acconci, via PacePace Gallery has taken on representation of Vito Acconci’s Acconci Studios, in partnership with Art Agency, Partners, the gallery announced in a statement.  “A truly innovative creator and agitator who was foundational to contemporary art today, Acconci fits perfectly within Pace’s program of leading 20th and 21st century artists and estates,” said Marc Glimcher, Pace Gallery President and CEO. “There’s still so much of his practice to uncover and reexamine and we’re thrilled to join with Maria Acconci to share Vito Acconci’s vision and expand his legacy around the world.”
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Frieze to Launch Los Angeles Edition Next February

February 24th, 2018

frieze-london-via-art-newsFrieze has announced plans for a Los Angeles edition of its fair, to be held February 14 to 17, 2019, the Art News reports. Bettina Korek of ForYourArt has been appointed executive director of Frieze LA, with Ali Subotnick serving as the fair’s curator. “Frieze is in a unique position to create a successful fair in LA because of our experience in London and New York and our partnership with Endeavor, who have deep roots in LA and will work with us to bring a fantastic audience to the fair,” founder Victoria Siddall says.
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Adrienne Edwards Tapped as New Performance Curator at Whitney

February 24th, 2018

Adrienne Edwards, via Art NewsThe Whitney Museum in New York has appointed Adrienne Edwards as its Engell Speyer Family Curator and Curator of Performance. She previously worked with Performa, where she organized various thematic presentations, including last year’s “Afroglossia,” focused on African performance art. “Adrienne has distinguished herself as one of the most innovative curators working in performance today by engaging artists across diverse disciplines and often challenging them to explore new genres and experimental forms,” Scott Rothkopf, the deputy director for programs and the chief curator at the Whitney, said. “She brings to the Whitney a wonderful complement of scholarly rigor, social commitment, and a deeply humane understanding of artists and their audiences.”
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