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AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 19th – 22nd, 2017

Wednesday, October 18th, 2017

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

AO On-Site: Independent NY at Spring Studios, March 2nd – 5th, 2017

Thursday, March 2nd, 2017

Jenny Sabin Studio Selected as 2017 MoMA YAP winner

Tuesday, February 21st, 2017

New York – “Inventing Downtown” Curated by Melissa Rachleff at NYU’s Grey Gallery Through April 1st, 2017

Monday, February 13th, 2017

AO On-Site – Mexico City: Material Art Fair at Expo Reforma, February 9th – 12th, 2017

Monday, February 13th, 2017

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

Paris – “Olympia” Curated by Karma at Galerie Patrick Seguin Through November 26th, 2016

Sunday, November 20th, 2016

New York — GCC: “Positive Pathways (+)” at Mitchell-Innes & Nash Through November 23rd, 2016

Saturday, November 19th, 2016

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 20th-23rd, 2016

Tuesday, October 18th, 2016

LA Lawyer Suing Over Disputed Jackson Pollock Painting

Thursday, October 13th, 2016

New York — Sophia Al-Maria: “Black Friday” at The Whitney Through October 31st, 2016

Thursday, September 15th, 2016

New York — “Landmark” at Socrates Sculpture Park Through August 28th, 2016

Sunday, August 14th, 2016

New York Times Looks at Galleries that Have Become Family Businesses

Sunday, June 19th, 2016

Basel – AO On-Site: Art Basel Art Fair, June 16th – 19th, 2016

Tuesday, June 14th, 2016

Wolfgang Tillmans Advocates for British EU Stay

Thursday, April 28th, 2016

London: Tom Wesselmann “Collages 1959-1964″ at David Zwirner Through March 24th, 2016

Saturday, March 12th, 2016

AO On-Site – New York: Independent NY at Spring Studios, March 3rd – 6th, 2016

Saturday, March 5th, 2016

AO On-Site: Mexico City Art Week, February 3rd – 7th, 2016

Monday, February 8th, 2016

Los Angeles – Paramount Ranch 3 in Agoura Hills, January 30th-31st, 2016

Monday, February 1st, 2016

Los Angeles – Art Los Angeles Contemporary Evening Preview, January 28th, 2016

Saturday, January 30th, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

New York – New York Art Book Fair at MoMA PS1, September 17th – 20th, 2015

Monday, September 21st, 2015

AO On-Site: Art Basel at Messe Basel, June 18th-21st, 2015

Thursday, June 18th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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