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Go See: Jenny Holzer’s ‘PROTECT PROTECT’ at the Whitney Museum of American Art, through May 31, 2009

Saturday, March 14th, 2009

AO On Site: Peter Doig, New Paintings, Saturday, January 17th, 2009, on until March 14th, 2009 at Gavin Brown’s Enterprise and Michael Werner Gallery, New York

Monday, January 19th, 2009

AO November Auction Roundup 2 of 5 (AO On-Site): Sotheby’s Contemporary Art Evening Sale, New York, Tuesday, November 11th: Sotheby’s crushed by guarantees, Eli Broad: “It’s a half-price sale”

Sunday, November 16th, 2008

Go See: Jenny Holzer's 'For the Guggenheim' Fridays sunset through 11 PM through New Year's Eve

Friday, September 26th, 2008

Sotheby’s issues earnings report: profit drops by 11% but no longer at a loss

Thursday, August 7th, 2008

AO On Site: WHITNEY BIENNIAL 2008

Saturday, March 8th, 2008

Schnabel Show at Gagosian in Light of Oscar Buzz

Wednesday, January 23rd, 2008

Newslinks for 12.3.07

Monday, December 3rd, 2007

Sotheby's stock drops after a disappointing sale

Thursday, November 8th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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