Search Results

Marina Abramovic Interviewed by The Observer

Monday, October 27th, 2014

AO On-Site – New York: The Armory Show Art Fair at Piers 92 and 94, March 5th – 9th, 2014

Thursday, March 6th, 2014

AO Recap – Art Basel 2013 in Basel Switzerland, June 13th-16th, 2013

Monday, June 17th, 2013

AO On Site – New York: Frieze VIP Preview on Randall’s Island Through May 13, 2013

Friday, May 10th, 2013

AO On-Site: The 2013 Armory Show in New York City – March 6th-10th, 2013

Friday, March 8th, 2013

Paris – Kehinde Wiley: “The World Stage: France, 1880 – 1960″ at Galerie Daniel Templon Through December 24th, 2012

Friday, December 21st, 2012

AO On Site (Final Summary Part 2 of 2): The Art – Art Basel Miami Beach Art Fair 2012 Photoset and Recap

Monday, December 10th, 2012

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site with Photoset – New York: Frieze Art Fair on Randall’s Island, MAY 4–7, 2012

Friday, May 4th, 2012

Wednesday, March 21st, 2012

AO On Site – New York: The Armory Show Summary at Piers 92 & 94, March 8–11, 2012

Tuesday, March 13th, 2012

Wednesday, March 7th, 2012

AO On Site Photoset – Art Basel Miami Beach 2011: Main Fair Overall Summary, December 1-4, 2011

Tuesday, December 6th, 2011

AO On Site Photoset – Art Basel Miami Beach 2011: Art Public Sculpture Park in Collins Park, December 1-4, 2011

Tuesday, December 6th, 2011

AO On Site Photoset, with link summary – Art Basel Miami Beach 2011: Main Fair Preview and News Summary, Wednesday, November 30, 2011

Thursday, December 1st, 2011

AO On Site photoset/news summary – New York: Armory Show – The Day One Preview, March 2nd, 2011

Thursday, March 3rd, 2011

AO On Site – New York: Marina Abramović “The Artist Is Present” at MoMA, March 14 through May 31, 2010

Wednesday, March 31st, 2010

AO Onsite – New York: Antony Gormley ‘Event Horizon’ Press Preview, Madison Square Park, show runs through August 15, 2010

Tuesday, March 23rd, 2010

AO On Site: Glass-Half Full @ Miami Art Basel Vernissage Wednesday, Dec 2nd, 2008

Friday, December 5th, 2008

AO On-Site – New York: The Armory Show at Piers 92 & 94, March 8th – 11th, 2018

Saturday, March 10th, 2018

AO On-Site – Mexico City: Zona Maco at Centro Citibanamex, February 7th – 11th, 2018

Friday, February 9th, 2018

AO On-Site – New York: Frieze New York, May 4th – 7th, 2017

Sunday, May 7th, 2017

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Frieze Los Angeles Announces Gallery List

September 12th, 2018

Frieze LA, via FriezeFrieze Los Angeles, which will run February 14 through 17 at Paramount Pictures Studio in Hollywood, has announced its initial gallery list, with a heavy focus on blue-chip galleries that speaks to the impact it is looking to make on the West Coast. 
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Venice Canadian Pavilion Reopened

September 12th, 2018

Canada Pavilion in Venice, via Globe and MailThe Canadian Pavilion at the Venice Biennale has been reopened, with a restored interior that The National Gallery of Canada is hoping will improve the working conditions for its chosen artists. “I give always very much importance to the conservation, as much as possible, of the original design,” says designer Alberico Belgiojoso “Nature changes, while architecture stays at it is.”
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New York Court Rejects Family Claim to Matisse Work

September 12th, 2018

Matisse greta Moll, via Art NewspaperA federal appeals court in New York has rejected a claim to a 1908 Matisse painting owned by the National Gallery in London by the grandchildren of the woman in the work. “The alleged taking of the painting was committed by a private actor” not “a sovereign”, the panel of judges said. “The National Gallery’s refusal to compensate appellants for that taking after the fact does not provide a basis for jurisdiction over a foreign sovereign and its instrumentality.” 
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