Search Results

AO On-Site – New York: The ADAA Art Show, March 3rd-8th, 2015

Saturday, March 7th, 2015

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

AO On-site: The ADAA Art Show at The Park Avenue Armory: March 6th-10th, 2013

Sunday, March 10th, 2013

New York – Guillermo Kuitca: “Diarios” at The Drawing Center Through December 16th, 2012

Tuesday, December 11th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

Friday, October 28th, 2011

AO on site Photoset (2 of 3) – Art Basel 42: Art Basel 2011, The Main Fair

Thursday, June 16th, 2011

AO News: Winners of ‘Rob Pruitt Presents: The First Annual Art Awards’ Announced at Ceremony at the Guggenheim Museum

Friday, October 30th, 2009

Newlinks for Wednesday October 7th, 2009

Wednesday, October 7th, 2009

Go see – Venice: “Bruce Nauman: Topological Gardens” at the Venice Biennale, through November 22, 2009

Friday, September 4th, 2009

Newslinks for Tuesday August 11, 2009

Tuesday, August 11th, 2009

Go See – Greenwich, Connecticut: ‘TOM SACHS: CAMERAS’ at The Aldrich Contemporary Art Museum through September 16, 2009

Friday, July 17th, 2009

Go See: ‘Walking on Air’ by Richard Tuttle at PaceWildenstein, New York, through April 25, 2009

Tuesday, March 31st, 2009

AO On Site Photoset/Video/News Wrapup: Art Basel Miami Beach Survives in 2008

Wednesday, December 10th, 2008

Liu Ye

Wednesday, November 26th, 2008

Galleries

Thursday, December 27th, 2007

AO On Site Photoset and Video Tour – New York: Tom Sachs ‘SPACE PROGRAM: MARS’ at the Park Avenue Armory through June 17, 2012

Thursday, May 17th, 2012

AO On Site – New York: Perfect Man II Curated by Rita Ackermann at White Columns Gallery through October 15, 2011

Sunday, September 18th, 2011

Go See – 'Notations/Bruce Nauman: Days and Giorni' at Philadelphia Museum of Art through April 4, 2010

Thursday, March 18th, 2010

53rd Venice Biennale Art Exhibition Previews today, Opens to public June 7th

Wednesday, June 3rd, 2009

Go See: Tom Sachs, at Galerie Thaddaeus Ropac Paris, through November 22nd

Monday, November 3rd, 2008

Sotheby’s Contemporary Art Asia Sale

Tuesday, September 11th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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