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Go See – London: Turner Prize ’09 at Tate Britain through January 3, 2010

Thursday, October 22nd, 2009

Go See – London: Turner and the Masters at Tate Britain, through January 31, 2010

Wednesday, September 23rd, 2009

Go See – London: Classified at Tate Britain through August 23rd 2009

Monday, July 6th, 2009

Go See – London: Duveens’ Commission presents Eva Rothschild ‘Cold Corners’ at Tate Britain through November 29, 2009

Saturday, July 4th, 2009

Go See – London: Richard Long’s “Heaven and Earth” at the Tate Britain through September 6th 2009

Saturday, June 20th, 2009

Eva Rothschild to create 200-foot-long sculpture for Tate Britain

Wednesday, May 13th, 2009

Go See: Mark Rothko and JMW Turner at the BP British Art Displays at the Tate Britain through July 26th 2009

Thursday, April 2nd, 2009

Go See: Van Dyck and Britain at Tate Britain, through May 17th, 2009

Monday, March 16th, 2009

Tate Britain and Russian Billionaire send 112 Turners to Pushkin Museum in Moscow

Wednesday, November 12th, 2008

Go See: Turner Prize show at the Tate Britain, London, Sept 30th through Jan 18

Monday, September 29th, 2008

Go See: Major Francis Bacon Retrospective, Tate Britain, through January 4, 2008

Sunday, September 21st, 2008

Francis Bacon to have a retrospective at Tate Britain: September 11 through January 4

Saturday, August 23rd, 2008

Go See: Martin Creed Work No. 850 at Tate Britain, through November 16

Monday, July 14th, 2008

GO SEE: PETER DOIG AT TATE BRITAIN, February 25 – April 27

Monday, February 25th, 2008

New Statesman Asks if Britain’s Art School are Facing a Crisis of Identity

Monday, November 24th, 2014

Tate Announces Shortlist for Turner Prize

Thursday, April 26th, 2018

Tate Archives Showcases Founding of New Outposts

Friday, April 20th, 2018

Nicholas Serota’s Impact on Tate Profiled in The Guardian

Friday, June 23rd, 2017

The Guardian Traces Nicholas Serota’s Impact on Tate Over the Course of His Career

Wednesday, May 31st, 2017

Tate Announces Exhibition Schedule for 2018

Friday, May 26th, 2017

Tate Under Fire for Asking Staff to Chip in Towards Boat for Nicholas Serota

Sunday, April 30th, 2017

Tate to Name Maria Balshaw as Next Director

Wednesday, January 11th, 2017

Art Newspaper Charts Challenges for Nicholas Serota’s Successor at Tate

Wednesday, October 12th, 2016

British State Accepts Sir Joshua Reynolds Portrait

Thursday, August 11th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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