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The Met Makes Room for New Work in Its Collection Following Sale of $5.4 Million in Art Last Year

Monday, March 31st, 2014

Judge Rules in Favor of The Met in Admission Lawsuit

Thursday, October 31st, 2013

New York – Balthus: “Cats and Girls – Paintings and Provocations” At the Metropolitan Musuem of Art Through January 12th, 2013

Thursday, October 31st, 2013

The Met tops $401 Million in Tourist Spending this Spring and Summer

Tuesday, October 8th, 2013

The Met Prepares for Balthus Exhibition

Monday, August 26th, 2013

New York – “Ken Price Sculpture: A Retrospective” at The Metropolitan Museum of Art Through September 22nd, 2013

Sunday, August 4th, 2013

The New Yorker Praises The Met’s New European Galleries

Thursday, May 23rd, 2013

Qureshi’s Rooftop Spatters at the Met Lead a Series of Evocatively Bloody Works Currently on View

Friday, May 17th, 2013

The Met Buys Rediscovered Ritz Hotel Masterpiece

Sunday, April 21st, 2013

The Met Sued Over “Deceptive” Admission Fee

Tuesday, March 26th, 2013

The Met to Stay Open 7 Days a Week

Friday, March 22nd, 2013

New York – “Matisse: In Search of True Painting” at The Metropolitan Museum of Art, through March 17th, 2013

Sunday, March 17th, 2013

The Met Buys An Authentic David Drawing for $840

Thursday, March 7th, 2013

New York – Paul Klee: “Late Klee” at the Metropolitan Museum of Art Through March 31st, 2013

Sunday, February 10th, 2013

Works From The Met Travel to Beijing for Major Exhibition

Saturday, February 2nd, 2013

George Condo On View at the Metropolitan Opera House

Saturday, January 26th, 2013

Cézanne Siezed in Russian Revolution to Stay at the Metropolitan

Tuesday, December 18th, 2012

Robert Rauschenberg’s seminal “Canyon” Combine goes from The Met to MoMA

Thursday, November 29th, 2012

New York – “Regarding Warhol: Sixty Artists, Fifty Years” At the Metropolitan Museum of Art Through December 31st, 2012

Thursday, September 27th, 2012

AO On Site: Tomás Saraceno’s Cloud City on the roof of the Metropolitan Museum of Art

Tuesday, July 24th, 2012

New York: Dana Schutz ‘Götterdämmerung’ at The Arnold and Marie Schwartz Gallery at the Metropolitan Opera House through May 12, 2012

Sunday, February 26th, 2012

Go See – New York: Anthony Caro ‘Caro on the Roof” at the Metropolitan Museum of Art through October 30th, 2011

Monday, August 8th, 2011

AO on Site – New York: Richard Serra “Drawing: A Retrospective” at the Metropolitan Museum of Art through August 28th, 2011

Tuesday, April 19th, 2011

Go See- New York: John Baldessari “Pure Beauty” at the Metropolitan Museum of Art through January 9, 2011

Monday, November 1st, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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