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London – Robert Irwin: “2 x 2 x 2 x 2″ at White Cube Bermondsey Through November 15th, 2015

Saturday, October 17th, 2015

White Cube Closes Shop in São Paulo

Wednesday, July 8th, 2015

London – Virginia Overton at White Cube Mason’s Yard Through March 14th, 2015

Friday, February 27th, 2015

London – Christian Marclay at White Cube Bermondsey Through April 12th, 2015

Wednesday, February 18th, 2015

London – Tracey Emin: “The Last Great Adventure is You” at White Cube Bermondsey, through November 16th 2014

Thursday, November 13th, 2014

London – Gilbert & George: “Scapegoating Pictures for London” at White Cube Through September 28th, 2014

Sunday, September 7th, 2014

New York – “Neu at Gladstone” at Gladstone Gallery Through August 1st, 2014

Friday, August 1st, 2014

New York – “LIFE: Curated by The Journal Gallery” at Venus Over Manhattan Through July 25th, 2014

Wednesday, July 16th, 2014

“Bloodflames Revisited” Breaks ‘White Cube’ at Paul Kasmin

Thursday, July 3rd, 2014

London – Martin Creed: “What’s the Point of it?” at Hayward Gallery Through May 5th, 2014

Friday, May 2nd, 2014

London – He Xiangyu at White Cube Bermondsey Through April 13th 2014

Monday, April 7th, 2014

London – Franz Ackermann: “9 x 9 x 9” at White Cube Through April 13th, 2014

Wednesday, March 19th, 2014

New York- Sol Lewitt at Pace Gallery now through February 22, 2014

Wednesday, February 19th, 2014

New York – Elad Lassry at 303 Gallery Through October 26th, 2013

Tuesday, October 1st, 2013

New York – Nadja Frank: “Rock Shop” at Denny Gallery Through June 16th, 2013

Thursday, June 13th, 2013

Damien Hirst ‘Entomology Cabinets and Paintings, Scalpel Blade Paintings and Colour Charts’ White Cube, Hong Kong through May 4, 2013

Friday, May 3rd, 2013

London – Chuck Close: “Chuck Close Prints: Process and Collaboration” at White Cube Bermondsey, through April 21st 2013

Saturday, April 20th, 2013

Bermondsey, London – “Antony Gormley: Model” At White Cube, Through February 10th, 2013

Sunday, December 23rd, 2012

Yayoi Kusama, Damien Hirst to Leave Gagosian Gallery. Koons showing at Zwirner.

Friday, December 14th, 2012

Damien Hirst to Leave Gagosian Gallery after 17 years of representation

Thursday, December 13th, 2012

London – Theaster Gates: “My Labor is My Protest” at White Cube Bermondsey Through November 11th, 2012

Wednesday, October 31st, 2012

London: Antony Gormley: “Still Standing” at White Cube Hoxton Through September 15th, 2012

Thursday, August 23rd, 2012

London – Zhang Huang: “The Mountain Is Still A Mountain” at White Cube Bermondsey Through August 26, 2012

Sunday, August 12th, 2012

São Paulo: Antony Gormley ‘Facts and Systems’ at White Cube’s Special Project Space through July 15, 2012

Friday, July 6th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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