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Whitney Museum of American Art

Tuesday, December 25th, 2007

Whitney Unveils David Hammons Work for Piers

Friday, October 6th, 2017

New Plans for Public Art Emerge from Ashes of Barry Diller’s Hudson Island Proposal

Wednesday, September 20th, 2017

AO On-Site – Chicago: EXPO Chicago Art Fair, September 13th – 17th, 2017

Sunday, September 17th, 2017

Dread Scott Flag Work Goes into Collections of Several Major Museums

Wednesday, August 30th, 2017

Water Mill, NY — John Graham: “Maverick Modernist” at The Parrish Art Museum Through July 30, 2017

Sunday, July 30th, 2017

Martine Syms, Cauleen Smith Join Staff at CalArts

Wednesday, July 19th, 2017

Alexander Calder’s “Activators” at Whitney Show Profiled in NYY

Thursday, June 29th, 2017

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Monday, June 19th, 2017

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

William Pope L. Wins 2017 Bucksbaum Award at Whitney Biennial

Saturday, June 10th, 2017

Whitney Museum Appoints Kim Conaty as Curator of Drawings and Prints

Friday, June 2nd, 2017

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 7th, 2017.

Sunday, April 30th, 2017

Annual Art Newspaper Attendance Survey Sees Christo Installation as World’s Most Visited Artwork for 2016

Thursday, March 30th, 2017

New York — Bjarne Melgaard: “The Casual Pleasure of Disappointment” at Red Bull Arts New York Through April 9th, 2017

Thursday, March 23rd, 2017

Whitney Facing Backlash Over Inclusion of Dana Schutz Painting

Wednesday, March 22nd, 2017

Whitney Director Adam Weinberg Issues Statement on N.E.A. Funding

Tuesday, March 21st, 2017

New York – The 2017 Whitney Biennial at the Whitney Museum, Through June 11th, 2017

Monday, March 20th, 2017

W Magazine Profiles Curators Behind Whitney Biennial

Friday, March 17th, 2017

Whitney’s Jay Sanders Named Executive Director at Artists Space

Tuesday, February 14th, 2017

Whitney Museum Hires Rujeko Hockley and Marcela Guerrero as Assistant Curators

Wednesday, January 25th, 2017

Whitney to Open January 20th on “Pay-What-You-Wish” Basis

Tuesday, January 17th, 2017

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

New York – Carmen Herrera: “Lines of Sight” at the Whitney Museum Through January 2nd, 2016

Saturday, November 19th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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