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AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

AO On Site Photoset – Art 43 Basel Vernissage and VIP Preview

Wednesday, June 13th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO on Site – Stockholm: Sturtevant ‘Image over Image’ at Moderna Museet through August 26, 2012

Tuesday, April 10th, 2012

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Go See – New York: Paul Thek “Diver: A Retrospective” at the Whitney Museum through January 9th, 2011

Monday, December 27th, 2010

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

Go See – New York: ‘Your Gold Teeth II’ curated by Todd Levin at Marianne Boesky Gallery through August 15, 2009

Saturday, July 25th, 2009

Newslinks for Tuesday July 14, 2009

Tuesday, July 14th, 2009

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Saville's Saguinary Suspension

Monday, August 13th, 2007

Christoph Buchel’s Mess MoCA

Tuesday, July 24th, 2007

AO Preview – New York: Armory Week in New York City, March 4th – 10th, 2019

Sunday, March 3rd, 2019

Städel Museum Embarks on Post-War Art Research Project

Friday, September 7th, 2018

New York – Rita Ackermann: “Kline Rape” at Hauser & Wirth Through January 14th, 2017

Wednesday, January 4th, 2017

AO On Site – Venice: The Unofficial Palestine Pavilion at 2013 Venice Biennale – Otherwise Occupied

Wednesday, June 5th, 2013

AO Onsite Auction Results – London: Impressionist & Modern Evening Sale and Art of the Surreal Sale at Christie’s London on Wednesday February 9, 2011 Bring in £84.9 million ($136.3 million); Record-Breaking Bonnard is Top Lot

Wednesday, February 9th, 2011

AO On Site: 6th Berlin Biennial for Contemporary Art: La Monnaie Vivante after Pierre Klossowski, staged by Pierre Bal-Blanc

Friday, July 2nd, 2010

Go See – Amsterdam: The Russian Hermitage Museum’s new Permanent Site in Amsterdam – Inaugural Exhibition ‘At The Russian Court’ through January 31, 2010

Thursday, July 16th, 2009

Go See: David Salle’s “Distance from Nowhere” at Kestnergesellschaft in Hannover, Germany through June 21, 2009

Wednesday, May 20th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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