Search Results

Los Angeles – “Eau de Cologne” at Sprüth Magers Through August 20th, 2016

Thursday, August 18th, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 14th – 17th, 2015

Sunday, October 18th, 2015

Weston-Super-Mare – Banksy: “Dismaland” at The Tropicana Through September 27th, 2015

Sunday, August 23rd, 2015

AO On-Site: NADA New York 2015 AT Basketball City, May 14th-17th, 2015

Monday, May 18th, 2015

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

AO Fair Recap – Hong Kong: Art Basel Hong Kong, March 15th – 17th, 2015

Wednesday, March 18th, 2015

AO On-Site – New York: The 2015 Armory Show at Piers 92 & 94, March 4th – 8th, 2015

Friday, March 6th, 2015

Mass MOCA Announces Ambitious Exhibition Plan for Renovated Space

Tuesday, November 18th, 2014

AO On-Site – Paris: FIAC at Grand Palais and (OFF)ICIELLE at The City of Fashion and Design, October 22nd-26th, 2014

Friday, October 24th, 2014

Artists Design Their Own Ads in New York Times

Monday, October 20th, 2014

Annandale-on-Hudson – Anne Collier at CCS Bard Galleries Through September 21st, 2014

Friday, August 29th, 2014

AO On Site Fair Recap: Art Basel 2014, June 19th-22nd, 2014

Sunday, June 22nd, 2014

New York – “No Problem: Cologne/New York 1984-1989″ at David Zwirner Through June 14th, 2014

Friday, June 13th, 2014

AO On-Site: The Brooklyn Museum Gala, Wednesday, April 16th, 2014

Saturday, April 19th, 2014

Oslo Opens 24-Hour Sculpture Park

Wednesday, October 2nd, 2013

AO On Site – New York: Frieze VIP Preview on Randall’s Island Through May 13, 2013

Friday, May 10th, 2013

New York – “1980’s Revisited at Skarstedt Gallery NYC through April 6, 2013

Friday, April 5th, 2013

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO Newslink

Saturday, September 15th, 2012

AO On Site – New York: Public Art Fund’s “Common Ground” Installation at City Hall Park, on view until Nov 30, 2012

Thursday, July 5th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO Newslink

Monday, April 30th, 2012

AO Newslink

Saturday, April 14th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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