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Go See – New York: Paul Thek “Diver: A Retrospective” at the Whitney Museum through January 9th, 2011

Monday, December 27th, 2010

Maccarone now officially home of Peter Paul Chocolates

Monday, November 19th, 2007

AO On-Site – Basel: Art Basel at Messe Basel Through June 18th, 2017

Tuesday, June 13th, 2017

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

Basel – AO On-Site: Art Basel Art Fair, June 16th – 19th, 2016

Tuesday, June 14th, 2016

AO Auction Recap – New York: Christie’s “Bound to Fail” Curated Evening Sale, May 8th, 2016

Sunday, May 8th, 2016

AO On-Site – New York: Frieze Art Fair, May 5th – 8th, 2016

Thursday, May 5th, 2016

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

Los Angeles – Paramount Ranch 3 in Agoura Hills, January 30th-31st, 2016

Monday, February 1st, 2016

AO On-Site – Paris: FIAC Art Fair at the Grand Palais, October 21st – 25th, 2015

Thursday, October 22nd, 2015

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 14th – 17th, 2015

Wednesday, October 14th, 2015

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 18th-21st, 2015

Monday, June 15th, 2015

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

AO On-Site – Miami Beach: NADA Miami at the Deauville Beach Resort, Dec. 4th – 7th, 2014

Monday, December 8th, 2014

New York — Jonathan Monk: “I went to school with someone called Jonathon Monk” at Casey Kaplan Through October 18th, 2014

Friday, October 17th, 2014

Christie’s to Sell £60 Million in Works from Essl Collection Next Month in London

Wednesday, September 10th, 2014

Los Angeles – “Titans of the Stratosphere” at Patrick Painter Through July 26th 2014

Tuesday, July 22nd, 2014

AO Preview – Art Basel Hong Kong, May 15th – 18th, 2014

Tuesday, May 13th, 2014

Frieze New York Announces 2014 Exhibitors List

Monday, December 23rd, 2013

New York – Mike Kelley at MoMA PS1 Through February 2nd, 2014

Wednesday, November 6th, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

AO Fair Photoset and Recap – London: Frieze Artfair at Regent’s Park, October 17th-20th, 2013

Sunday, October 20th, 2013

AO Auction Recap – London: Sotheby’s Contemporary Evening Sale, October 17th, 2013

Thursday, October 17th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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