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Don’t Miss: Sam Taylor-Wood, “Yes I No,” through November 29 at White Cube Gallery, Mason’s Yard, London

Saturday, November 22nd, 2008

Newslinks for Saturday August 23, 2008

Saturday, August 23rd, 2008

Saatchi Buys out Student Art at Royal Academy Show

Wednesday, June 18th, 2008

“You Dig the Tunnel, I’ll Hide the Soil” at White Cube, London, April 4- May 10

Thursday, May 8th, 2008

The Fourth Plinth Contest at the National Gallery in London

Friday, January 25th, 2008

Go See – Margate, UK: “Revealed: Turner Contemporary Opens” through September 4th 2011

Saturday, April 16th, 2011

Don’t Miss – London: RCA Secret 2010 Exhibition at the Royal College of Art through November 19, 2010

Thursday, November 18th, 2010

AO On Site – Paris: FIAC 2010 Mid-Fair News Brief and Photo Set 1 of 2 (final photo set to follow the conclusion of the fair)

Thursday, October 21st, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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