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Artists Destroy Joseph Beuys Work to Make Schnapps

Wednesday, July 23rd, 2014

AO Auction Recap – London: Sotheby’s Contemporary Evening Auction, June 30th, 2014

Monday, June 30th, 2014

AO On-Site: Art Basel 2014, June 19th-22nd, 2014

Wednesday, June 18th, 2014

AO Recap – Sotheby’s Contemporary Evening Sale, Wednesday May 14th, 2014

Thursday, May 15th, 2014

Los Angeles – “Hammer Projects: Andra Ursuta” at the Hammer Museum Through May 25th, 2014

Friday, May 9th, 2014

AO Preview – Frieze New York Art Week, May 7th – 11th, 2014

Wednesday, May 7th, 2014

AO Auction Results: Post-War and Contemporary Evening Auctions in London, June 2013

Friday, June 28th, 2013

AO Recap – Art Basel 2013 in Basel Switzerland, June 13th-16th, 2013

Monday, June 17th, 2013

New York – AO Auction Results: Sotheby’s Contemporary Evening Sale, Tuesday May 14th, 2013.

Wednesday, May 15th, 2013

ArtInfo Profiles 30 Artists and their Early Jobs

Friday, April 12th, 2013

Auction Results – London: Sotheby’s Postwar & Contemporary Evening sale, Friday, October 12th, 2012

Friday, October 12th, 2012

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

AO Newslink

Saturday, September 29th, 2012

AO On Site: “Art Of Another Kind,” Solomon R. Guggenheim Museum, New York, through September 12, 2012

Thursday, July 26th, 2012

AO Auction Results — London: Phillips de Pury Contemporary Art Evening Auction, June 28, 2012

Thursday, June 28th, 2012

AO Auction Results – London: Christie’s Post-War and Contemporary Art Evening Auction, June 27, 2012

Thursday, June 28th, 2012

AO Auction Preview – London: Post-War and Contemporary Sales at Christie’s, Sotheby’s, and Phillips de Pury, June 26 – 28, 2012

Tuesday, June 26th, 2012

London: “Invisible: Art of the Unseen 1957-2012” on show at Hayward Gallery through August 6, 2012

Sunday, June 24th, 2012

AO Newslink

Monday, June 11th, 2012

AO On Site Auction Results w/ Photoset – New York: Christie’s Post-War and Contemporary Evening Sale, May 8, 2012 – Many records broken.

Wednesday, May 9th, 2012

AO Auction Preview – New York: Post War and Contemporary Sales at Christie’s, Sotheby’s, and Phillips de Pury, May 7–9, 2012

Tuesday, May 8th, 2012

Saturday, February 4th, 2012

AO On Site – Paris: Galleries Night Out, featuring events at Thaddaeus Ropac (Alex Katz, Banks Violette), Emmanuel Perrotin (Takashi Murakami, Xavier Veilhan, Wim Delvoye), and Chantal Crousel (Thomas Hirschhorn, Wolfgang Tillmans), October 20, 2011

Saturday, October 22nd, 2011

AO On Site – Paris: FIAC Preview (with photoset) and News Summary, October 20–23, 2011

Thursday, October 20th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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