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AO On Site Photoset – New York: Opening of Shadow Fux by Rita Ackermann and Harmony Korine at The Swiss Institute

Thursday, November 25th, 2010

Don't Miss – New York: Anna Gaskell at Yvon Lambert through June 26th, 2010

Thursday, June 17th, 2010

Newslinks for Tuesday, November 10th, 2009

Tuesday, November 10th, 2009

AO Interview and Go See: Kathy Grayson, curator of ‘New York Minute’ at MACRO Future in Rome featuring Terence Koh, Dash Snow, Assume Vivid Astro Focus, Banks Violette, Jules de Balincourt, Nate Lowman, Steve “Espo” Powers, Scott Campbell, Cory Arcangel, Ryan McGinley, Aurel Schmidt and more through November 1, 2009

Monday, October 12th, 2009

Go See: Cy Twombly: 'The Rose' at Gagosian Gallery, London through May 9th, 2009

Wednesday, March 4th, 2009

AO on Site – Art Basel Miami 2008: The Lowdown On Naomi Campbell’s In Fashion Photo Exhibition by Art Photo Expo

Wednesday, December 3rd, 2008

Go See: Vice Magazine Photo Show 2008, Vice Gallery, New York ends August 31

Wednesday, August 27th, 2008

Lower East Side “DIY” artists of the ’90s in documentary film”Beautiful Losers”

Monday, August 11th, 2008

GO SEE: Terence Koh at Peres Projects, L.A., through June 21

Tuesday, June 10th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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