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Deceased Artists

Thursday, July 7th, 2011

AO Auction Results – London: Wednesday, October 13th, Phillips de Pury Contemporary Art Auction Within Presale Estimates, Sets New Records for Aaron Young, Sterling Ruby

Thursday, October 14th, 2010

AO Auction Preview: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions This Week in London During Frieze Art Fair

Wednesday, October 13th, 2010

AO Onsite – New York: Sotheby’s Impressionist and Modern Art Evening sale provides another boost of confidence for the recovering art market

Thursday, May 6th, 2010

AO Onsite Auction Results – New York: Art Market History witnessed at Christie’s Impressionist/Modern evening sale

Wednesday, May 5th, 2010

AO Auction Preview – New York: The Spring Auctions begin tonight with the highly anticipated sale of Picasso’s ‘Nude, Green Leaves and Bust’

Tuesday, May 4th, 2010

Go See – Dresden: Georg Baselitz’s ‘Dresdner Frauen/ Women of Dresden’ the Staatliche Kunstsammlungen through February 28th 2010

Sunday, November 29th, 2009

Newslinks for Monday, November 16th, 2009

Monday, November 16th, 2009

Newlinks for Wednesday October 7th, 2009

Wednesday, October 7th, 2009

Don't Miss: Women, A Loan Exhibition from the Collection of Steven and Alexandra Cohen at Sotheby's New York, through April 14

Thursday, April 9th, 2009

Steven Cohen, newly an investor in Sotheby’s, is to display $420 million worth of art the auction house, in an exhibition to be based on women.

Monday, March 16th, 2009

After 20 years and $225 million in art recovered, top FBI art crimes agent Robert Wittman to retire

Saturday, December 20th, 2008

AO Auction Roundup 5 of 5 – November Auction Summary: the reality of an indisputable buyer’s market

Wednesday, November 19th, 2008

AO Auction Results: Sotheby’s New York Impressionist and Modern Art, despite select notable sales, overall results were poor

Thursday, November 6th, 2008

Newslinks: Wednesday, July 16, 2008

Wednesday, July 16th, 2008

New York Auction Roundup: Week of impressionist, modern and contemporary

Sunday, May 11th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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