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AO Auction Results – London: Sotheby’s Contemporary Sale, March 7th, 2018

Thursday, March 8th, 2018

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 6th, 2018

Wednesday, March 7th, 2018

AO Auction Previews – Impressionist/Modern and Post-War Evening Sales in London, February 27th – March 8th, 2018

Sunday, February 25th, 2018

New York — “Words Without Thoughts Never to Heaven Go” at Almine Rech Gallery Through December 16th, 2017

Thursday, December 14th, 2017

AO Auction Results – New York: Sotheby’s Contemporary Evening Sale, November 16th, 2017

Thursday, November 16th, 2017

AO Auction Results – New York: Christie’s Post-War and Contemporary Evening Sale, November 15th, 2017

Wednesday, November 15th, 2017

Repatriated Brazilian Collection to Go on Sale at Sotheby’s Next Month

Monday, October 30th, 2017

New York Times Profiles Efforts of Auction Houses to Stay Ahead of Game in Current Market Landscape

Sunday, October 15th, 2017

AO Auction Recap – London: Christie’s and Phillips Contemporary and Post-War Evening Sales, October 6th, 2017

Sunday, October 8th, 2017

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

AO Auction Recap – London: Sotheby’s Contemporary Art Evening Sale, October 5th, 2017

Friday, October 6th, 2017

AO Auction Preview – London: Post-War and Contemporary Evening Sales, October 5-6th, 2017

Wednesday, October 4th, 2017

Sotheby’s Earnings Down 14% in Q2

Thursday, August 3rd, 2017

AO Auction Results – London: Sotheby’s Contemporary Art Evening Sale, June 28th, 2017

Wednesday, June 28th, 2017

Leonardo DiCaprio Offers to Turn Over Works Bought by Malaysian Financier Jho Low

Tuesday, June 20th, 2017

Art Basel Sees Strong Sales for Blue-Chip Works, Financial Times Reports

Thursday, June 15th, 2017

The Guardian Breaks Down Auction Market after Record-Setting Sales

Monday, May 22nd, 2017

AO Auction Recap – New York: Phillips 20th Century and Contemporary Sale at Sotheby’s Contemporary Evening Sale, May 18th, 2017

Friday, May 19th, 2017

AO Auction Recap – New York: Christie’s Post-War and Modern Evening Sale, May 17th, 2017

Thursday, May 18th, 2017

AO Auction Preview – New York: New York Auction Week, May 15th – 18th, 2017

Monday, May 15th, 2017

New York: TEFAF New York Spring Debut at Park Avenue Armory, May 4th-8th, 2017

Saturday, May 6th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

RIP: Glenn O’Brien, Writer and Downtown Icon, Aged 70

Saturday, April 8th, 2017

AO Auction Results – London: Sotheby’s Post-War and Contemporary Evening Sale, March 8th, 2017

Wednesday, March 8th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Sheila Hicks Profiled in New Yorker

March 20th, 2018

Sheila Hicks, via New YorkerArtist Sheila Hicks gets a profile in the New Yorker this week, as she reflects on her work and gives a tour of her studio. “You see the junk all over my studio?” she says of her cluttered studio and the practice that emerges from it. “It’s like drawing or sculpting with the scissors.”
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Former Art Basel Exec Magnus Renfrew to Launch Taipei Art Fair

March 20th, 2018

Dennis Chen, country head and head of wealth management, UBS Taiwan, and Magnus Renfrew, cofounder and director of Taipei Dangdai, via Art NewsFormer Art Basel fair head Magnus Renfrew is launching a new art fair, Taipei Dangdai, set to coincide with next year’s Taipei Biennial. “With Hong Kong, I was proud to be involved in organizing a fair that asserts itself as a global fair for the region and will remain so,” Renfrew says. “There is a big gap between Art Basel Hong Kong and other fairs in the region, in terms of quality and how they are progressing. It’s necessary to have other fairs that have real quality and don’t necessarily aspire to be the global fair for the region.” 
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Anthea Hamilton Interviewed in the Guardian

March 20th, 2018

Anthea Hamilton, via GuardianArtist Anthea Hamilton is interviewed in The Guardian this week, as the artist prepares a work for the Tate Britain’s Duveen Commission. “Well, I don’t think I’m allowed to talk about the work yet, I’d have to check,” she says drily. “But no, it’s not intimidating. The architecture is obviously very powerful but if you take that as a given, it’s not an issue.”
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