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London – Helen Marten: “Sparrows on the Stone” at Sadie Coles HQ Through October 30th, 2021

Friday, October 1st, 2021

London – Olga Balema: “Computer” at Camden Art Center Through August 29th, 2021

Friday, August 27th, 2021

London – Yayoi Kusama: “I Want Your Tears to Flow with the Words I Wrote” at Victoria Miro Through July 31st, 2021

Thursday, July 22nd, 2021

London – Peter Fischli at Sprüth Magers Through July 31st, 2021

Tuesday, June 15th, 2021

London – The Fourth Plinth Proposals Exhibition at the National Gallery,

Tuesday, May 25th, 2021

London – Damien Hirst: “Fact Paintings and Fact Sculptures” at Gagosian Britannia Street Through May 24th, 2021

Monday, May 17th, 2021

New York Times Details Galleries’ Shifting Relationships to Physical Spaces

Monday, March 1st, 2021

London’s National Gallery Prepares to Celebrate 200th Anniversary with Major Renovation

Wednesday, February 17th, 2021

London – Mary Weatherford: “Train Yards” at Gagosian Through February 27th, 2021

Tuesday, December 22nd, 2020

Frieze Secures Gallery Space in Mayfair

Friday, December 4th, 2020

London – Alex Da Corte: “Helter Shelter Or: The Red Show! or…” at Sadie Coles HQ Through January 13th, 2021

Wednesday, November 25th, 2020

London – Josh Smith: “Spectre” at David Zwirner Through October 31st, 2020

Saturday, October 31st, 2020

London – Klara Liden: “Turn Me On” at Sadie Coles HQ Through October 31st, 2020

Wednesday, October 28th, 2020

London – Danh Vo: “Chicxulub” at White Cube Through November 2nd, 2020

Tuesday, October 27th, 2020

London’s Cromwell Place Gallery Building Profiled in NYT

Wednesday, October 7th, 2020

London – Heather Phillipson: “The End” Trafalgar Square Fourth Plinth Commission

Monday, August 3rd, 2020

AO Auction Recap – London: Post-War and contemporary Evening Sales, February 11th-13th, 2020

Thursday, February 13th, 2020

Counterspace Tapped as Next Serpentine Pavilion Designers

Monday, February 10th, 2020

AO Auction Preview – London Impressionist/Modern and Post-War/Contemporary Sales, February 4th – 13th, 2020

Monday, February 3rd, 2020

London – Fischli/Weiss: “Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?” at Sprüth Magers Through March 14th, 2020

Monday, January 27th, 2020

London – Jessi Reaves: “Going Out in Style” at Herald St Through January 25th, 2020

Tuesday, January 7th, 2020

London – Mark Bradford: “Cerberus” at Hauser and Wirth Through December 21st, 2019

Thursday, December 19th, 2019

AO Auction Results – London: Christie’s Post-War and Contemporary Art Evening Sale, October 4th, 2019

Friday, October 4th, 2019

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, October 2nd, 2019

Thursday, October 3rd, 2019
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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