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Go See – Zürich: Paul McCarthy at Hauser & Wirth through July 25, 2009

Tuesday, June 16th, 2009

Go See: Franz West’s “To Build a House You Start with the Roof: Work, 1972 – 2008” at the LACMA, Los Angeles, through 7 June, 2009

Sunday, May 3rd, 2009

Go See: Mark Rothko and JMW Turner at the BP British Art Displays at the Tate Britain through July 26th 2009

Thursday, April 2nd, 2009


Thursday, December 27th, 2007

Frieze opens to kickoff an arts-packed London weekend

Thursday, October 11th, 2007

Thomas Ruff Profiled in New York Times

Tuesday, October 10th, 2017

AO Newslink

Tuesday, July 10th, 2012

AO Newslink

Thursday, June 14th, 2012

Go See – Berlin: Gary Hume at Sprueth Magers through August 21, 2010

Saturday, July 24th, 2010

Go See – Berlin: Kazimir Malevich ‘Autobiography’ at the Galerija Gregor Podnar, through September 19, 2009

Monday, August 31st, 2009

Go See – Moscow: ANTONY GORMLEY ‘DOMAIN FIELD’ at the Garage Centre for Contemporary Culture, through September 2, 2009

Monday, August 10th, 2009

Go See – London: Gilbert & George ‘JACK FREAK PICTURES’ at White Cube Mason’s Yard and Hoxton Square through August 22, 2009

Sunday, July 26th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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Marc Chagall Painting from National Gallery of Canada Features in Christie’s May Sale in New York

March 22nd, 2018

Chagall-La-Tour-Eiffel, via Art Market MonitorA 1929 Marc Chagall painting of the Eiffel Tower in Paris is being sold by the National Gallery of Canada at Christie’s this May in New York, and will be used to pay for new acquisitions.  “Filled with an air of sensuous, passionate romance, Marc Chagall’s La Tour Eiffel (estimate: $6-9 million) encapsulates the wonderfully poetic style that emerged in his oeuvre during the 1920s and 1930s,” the auction house said in a statement. “It was during this period that he experienced unprecedented period of happiness, stability, comfort and professional success amidst.”
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