A group of museum directors speak to Art Newspaper this week about their plans to reopen, and how they plan to respond to COVID-19 concerns. The directors detail a range of strategies, from timed entry to controlling flow in and out of galleries.
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Berlin – Hanne Darboven: “Erdkunde Und (Süd-) Koreanischer Kalender” at Sprüth Magers Through February 26 2020January 29th, 2020
Currently on view at Sprüth Magers in Berlin, the gallery presents a selection of works by Hanne Darboven, the first solo exhibition of the artist’s work at the Berlin gallery. Compiling her works Erdkunde I, II, III (Geography I, II, III) (1986) and (Süd-) Koreanischer Kalender / (South) Korean Calendar (1991), the exhibition marks the beginning of the gallery’s worldwide representation of the Darboven Estate. Read More »
New York – Jon Pylypchuk: “Waiting for the Next Nirvana” at Petzel Gallery Through February 29th, 2020January 28th, 2020
On view in its Chelsea exhibition space, Petzel Gallery presents Waiting for the Next Nirvana, an exhibition of new paintings by Canada-born, Los Angeles-based artist Jon Pylypchuk. On view through the end of February, the show draws on his work as a musician, and as an artist, exploring concepts of nostalgia, anticipation, energy, confidence, and, foremost, seductive and rebellious emotion. Read More »
London – Fischli/Weiss: “Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?” at Sprüth Magers Through March 14th, 2020January 27th, 2020
Currently on view at Sprüth Magers’s London exhibition space, Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair? marks the fifth exhibition by the pair of Swiss artists Peter Fischli and David Weiss at their London gallery. The exhibition presents a concise overview of the artists’ transformations of the commonplace in the form of three seminal works from throughout their collaborative career, a subtle investigation of their core themes in a minimal selection of pieces. Read More »
Artist Hans Haacke’s works, ranging from kinetic art to environmental art, conceptual art and institutional critique, culminates in his critiques of social and political systems, orchestrated in masterful form this winter at the New Museum. The retrospective marks the first major American museum exhibition of Haacke’s career, focusing on the influence of the corporate world on contemporary art. Read More »
Taking over the exhibition spaces at 303 Gallery’s Chelsea space this winter, Kim Gordon presents a body of new works that mix together a range of cultural vantage points and disparate iconographies through multi-media works, photographs and painted canvases. Her second solo exhibition with the gallery, the show is a striking look at the artist’s nuanced and expansive oeuvre, one which has earned her increasing recognition in recent years.
The year 2020 is being heralded as a crucial moment for society, a moment to respond to massive political upheaval and environmental crises. With immigration on the rise around the globe, and social tensions inflamed over crises of leadership at the heads of global superpowers, the world is at a crossroads. This concept sits at the core of Songs in the Dark, a group show currently on at Tanya Bonakdar that illustrates how artists deal with the world at its tipping point; how artists find beauty in the darkness of their own times, how they straddle the personal and political in their work, and how they make art as activism. Read More »
Issy Wood’s paintings and sculptures carry a peculiar cultural charge, moments of collision and fusion that mark her objects with both the signifiers of the art historical and with the banal moments of daily life. For her current show, daughterproof at JTT in New York, the artist continues this process, putting forward a selection of works that seem to mark the passage of culture and time against the body itself. Read More »
New York – Ugo Rondinone: “Thanx 4 Nothing (a tribute to John Giorno) at Gladstone Gallery Through January 18th, 2020January 17th, 2020
When the poet John Giorno passed away late last year, he left behind a lifetime of artistic adventurism and exploration, a reputation for his tireless support of the arts and his energetic commitment to collaboration, connection and creativity. It makes sense then, that one of the first shows to celebrate the artist since his passing would be a collaboration with his husband, artist Ugo Rondinone, at Gladstone Gallery. Open now, the show features the artist’s captivating 2015 video piece thanx 4 nothing, Read More »
Currently on view at Bridget Donahue, artist Ragen Moss has hung an octet of peculiar hanging sculptures. Referred to at points as “couples” and as “animals,” the show seems to take on the atmosphere of animals moving about an enclosure, watched closely by the viewer to glimpse moments of personality and persona. The works, on view through the end of the month, offer a particularly impressive chance to observe and explore the nature of viewing, and the concept of nature itself. Read More »
Currently on view at Marian Goodman in New York, artist Lothar Baumgarten is the subject of a posthumous show focusing on a body of work he helped compile before his passing. “The Early Years” focuses on the formative works that shaped his oeuvre, and functions as an homage to one of the most important German artists who influenced a subsequent generation, not to mention an artist who has worked with the gallery since the 1980’s.
Lothar Baumgarten, Kosmos (1968), via Marian Goodman