Global contemporary art events and news observed from New York City. Suggestion? Email us.

Archive for 2008

Norman Foster-designed Sperone Westwater gallery coming to the Bowery

Friday, September 12th, 2008


Proposed design for Sperone Westwater gallery building on Bowery, designed by Norman Foster, via Curbed

The Sperone Westwater gallery recently announced its $8.5 million acquisition of a building on the Bowery, just a block away from the New Museum, solidifying the area’s reputation as a burgeoning art hub. The five story, twelve thousand square foot pre-war building will be re-designed by Lord Foster, whose work includes landmarks such as the Reichstag, the Heart Tower, and the 30 St Mary Axe in London (better known as The Gherkin). The proposed new building’s facade will boast glass tubes, and a bold red cube-shaped moving room as a highlight, setting the building apart as a unique, modern piece of architecture in an older neighborhood.

Sperone Westwater
Foster and Partners

BLOCKBUSTER: Norman Foster plans Bowery Gallery Building
[Curbed]
SoHo apartment building sells for $8.5 million
[CoStar]

(more…)

Newslinks for Friday September 12, 2008

Friday, September 12th, 2008


–>
Lucian Freud’s rarely-seen, unfinished Portrait of Francis Bacon via Artdaily

Lucian Freud’s unfinished Francis Bacon portrait to be auctioned by Christie’s London in October [Art Daily]
–>
MoMA purchases Chinese contemporary art from private collection [Art Newspaper]
–>
Osaka museum pulls three Chagall’s after authenticity is questioned [Art Info]
–>
Jeff Koons “Man of Trust documentary” sold in
€2,500 limited edition kangaroo mirror boxes at Colette [World’s Best Ever]
–>
On the vulnerability of the global art market “which has risen so very high on little more than PR and salesmanship” [Financial Times]

Detroit Metro Airport Serves Fewer Fliers in 2002.

Detroit Free Press (Detroit, MI) September 21, 2002 Byline: Daniel G. Fricker Sep. 21–The number of passengers at Detroit Metro Airport was down 9.2 percent through the first seven months of this year, mirroring a nationwide trend that shows millions of passengers have not returned to flying since the Sept. 11 attacks.

International passengers at Metro were down a whopping 31.6 percent.

More than 18.7 million passengers used Metro through the end of July, or 1.9 million fewer than during the same period in 2001, according to airport statistics released this week.

The airport’s major carrier, Northwest Airlines, experienced an 8.9-percent decrease in passengers at Metro. Northwest and its Airlink commuter service carry 76.6 percent of the airport’s passengers.

The decreases are close to the 10.7-percent year-to-year drop in passengers on the nation’s top 15 airlines through August of this year, according to the Air Transport Association of America, an airline industry trade group based in Washington, D.C. see here detroit metro airport

The numbers of passengers on the nation’s airlines plunged 36 percent year-to-year in September 2001 as a result of the economic slowdown and the terrorist attacks.

Passenger numbers rebounded during the winter and spring, but the recovery stalled last spring, ATA officials say.

Nonetheless, Metro spokesman Len Singer said airport officials are optimistic about Metro’s passenger count. “We’re encouraged that the numbers are steadily increasing, but obviously we’d like to see that happen even faster,” he said Friday. web site detroit metro airport

Singer pointed to Metro’s passenger numbers for June and July. They were down 6.9 percent and 6.3 percent respectively compared to the same months in 2001.

But he declined to predict when Metro’s passenger traffic could rebound to numbers seen before the attacks.

“You can’t discount the factors of the economy,” Singer said. “Until the economy bounces back, I don’t think we’ll see a complete bounce back in the industry either.” Northwest Airlines declined to comment on when its passenger numbers at Metro could recover.

The number of passengers on the nation’s airlines is expected to dip again in 2003, by 1.5 percent compared to this year, said Mike Boyd, president of the Boyd Group, an aviation consulting company in Evergreen, Colo.

“The nation doesn’t pull out of the dive until the end of 2003,” he said. “There is no way it can. You have all the major airlines taking capacity out at the end of this year. What that means is we’re going to have less seats, less people.” But Detroit is expected to buck the national trend. In 2003, the number of passengers at Metro is expected to grow year-to-year by up to 2 percent, Boyd said. The reasons are the 97-gate midfield terminal, which opened Feb. 24, and the growth of Spirit Airlines, a discount carrier that is Metro’s second-largest airline.

But Metro is not expected to rebound to passenger numbers recorded in 2000 — the last year before the economic slowdown — until 2005.

“That has to do more with airlines’ capacity than there being anything wrong with Detroit,” Boyd said.

New Museum expands to adjacent building on Bowery

Friday, September 12th, 2008


The New Museum (center) and its new acquisition (to the right), via Art Daily

After unveiling its $50 million, SANAA-designed new location last December, the New Museum recently announced its acquisition of 231 Bowery, a building to the immediate south of its current location, for $16.6 million. The building, which is currently home to a restaurant equipment distributor and several offices, has 47,000 square feet of space, which will be used as office and storage space until plans are finalized for new programs.

NEW MUSEUM
New Museum buys adjacent building on the Bowery
[ArtForum]
New Museum acquires adjacent building on the Bowery
[Art Daily]

(more…)

Don’t Miss the Opening: Taryn Simon’s ‘An American Index of the Hidden and Unfamiliar’ at Gagosian Gallery, Beverly Hills

Friday, September 12th, 2008


Contraband Room, United States Border and Customs Protection
via Wired

Opening September 13th, Taryn Simon unearths the unseen images behind America’s closed doors. Images of a cryopreservation unit in Clinton Township, Michigan; a nuclear waste encapsulation and storage facility in Southeastern Washington State; a mentally retarded white tiger in Eureka Springs, Arkansas; and a Braille copy of Playboy Magazine in New York City are just some of several vibrant recordings included in Simon’s calculated cross-country venture.  Referred to as “occult glamour” in her publication’s foreword, Simon’s photography is procured by a large format 4×5″ camera to take a single negative which mimics the formalized aesthetic of traditional portraiture.  At age 33, Simon has celebrated national and international success with previous exhibitions at The Whitney Museum of American Art, New York and Kunst-Werke Institute of Contemporary Art, Berlin among others.

Lens Crafters by Kathleen Kingsbury [TIME]
No More Secrets [The London Telegraph]
Access All Areas [Frieze]
Taryn Simon Official Website

(more…)

Go See: Jeff Koons’s controversial installation at Versailles, France, through December 14

Friday, September 12th, 2008

Jeff Koons by Schneider, Sischy and Siegel Jeff Koons: The Painter and the Sculptor Jeff Koons by Jeff Koons
Click Here For Jeff Koons Books


‘Rabbit’
by Jeff Koons, as displayed at Versailles via Art Daily

Jeff Koons, an art world celebrity since the 1980’s for his stainless steel pop-art renderings of everyday, vernacular objects–and notorious for his marriage to porn star/legislator La Cicciolina–is currently on exhibit in the royal apartments and gardens of Versailles palace, west of Paris. The show, which was organized by French billionaire collector (and owner of Christie’s) Francois Pinault, will feature 17 pieces from the corpus of the man who is arguably the biggest-selling living artist, including well known works such as Rabbit, Lobster, Large Vase of Flowers and Split Rocker

Chateau de Versailles: Jeff Koons exhibition [Official Website]
Jeff Koons Takes His Contemporary Culture to Versailles [Artdaily]
Conflict of Interest Around Koons? [ArtForum]
Koons @ Versaille [Aarting]
Jeff Koons brings pop art revolution to Versailles [AFP]
French Protest Koons Show at Versailles [Artinfo]
Jeff Koons Shows His Contemporary Culture in The Château de Versailles
[Raw art Weblog]
Koons’s Bunnies, Beheaded Queen Parade in Paris Fall Season and Jeff Koons’s Flashy Toys Invade Versailles, Stir French Revolt [Bloomberg]
Jeff Koons sets up at the Palace of Versailles, France in September [ArtObserved]

(more…)

Saatchi Gallery reopens with Asian art exhibit on October 9th, 2008

Thursday, September 11th, 2008


The Revolution Continues, ‘Untitled’
‘ (1999) by Yue Minjun, via Saatchi Gallery

Charles Saatchi, one of the UK’s wealthiest and largest art collectors, will re-open his renowned contemporary art gallery at its new home in the Duke of York’s former military barracks, following several delays and false starts due in part to construction issues. The gallery’s first exhibition will be The Revolution Continues: New Art from China, which will run from the gallery’s opening on October 9th until January 18th, 2009. The inaugural exhibit will feature 30 artists China’s white-hot contemporary art scene, including marquee names such as Yue Minjun, Fang Lijun, and Zhang Xiaogang. In line with fulfilling the new Saatchi gallery’s goal of introducing contemporary art to a broader (and younger) audience, admission to the gallery’s exhibits will be free thanks to a sponsorship deal with Phillips de Pury & Company.


Saatchi Gallery
Saatchi Gallery London: Virtual Tour

Saatchi Gallery Moves to New Home [GuardianUK]
Saatchi Finds a Home [NY Times]

(more…)

Newslinks for Thursday September 11, 2008

Thursday, September 11th, 2008


German artist Jonathan Meese via TheMoment

Jonathan Meese, Daniel Richter, and Javier Peres as players in the Berlin art scene [NY Times- The Moment]
more Jonathan Meese, headlining Friday at the Journal Gallery, Brooklyn [The World’s Best Ever]
Valuable, yet difficult to execute and display “extreme” art [ArtInfo]
Rothko, Bacon highlight a very British-painter-based fall exhibit lineup in London [Bloomberg]
On “democracy” as a trend in British contemporary art, and how pricing can suffer from it
[Guardian]
Deborah Harris is the new managing director of the Armory Show [ArtForum]
Director Sir Nicholas Serota sets 1 year deadline for funds for Transforming Tate Modern project [London SE1]
In more Tate news: 2007/8 acquisition year for the Tate Collection brought a record $111 million – 494 work harvest [Art Daily]

The Metropolitan Museum of Art names former tapestry curator, Thomas P. Campbell, as new director

Wednesday, September 10th, 2008


Thomas P. Campbell (Left) and Philippe de Montebello (Right) via IHT

After an arduous eight-month search, the Metropolitan Museum of Art has announced that Thomas P. Campbell will be succeeding Philippe de Montebello as its new Director.  Come January 1st, 2009 Mr. Campbell will take over the reins from de Montebello, who has been serving as director of the Met for the past 31 years. Campbell has been with the Metropolitan Museum of Art since 1995 serving in the Department of European Sculpture and Decorative Arts, with a specialty in European tapestries.  Some were surprised that the relatively young Campbell was chosen over Ian Wardropper, his 57-year-old superior. The committee also reportedly considered Max Hollein, from the Städel Museum and the Schirn Kunsthalle in Frankfurt as Philippe de Montebello’s successor.

Met Museum’s New Chief Knows About Tapestries; Challenges Loom [Bloomberg]
Thomas P. Campbell Named Next Director of The Metropolitan Museum of Art [Artdaily]
Met Selects Curator to Run Museum [Wall Street Journal]
Met names Thomas P. Campbell as its new director [IHT]
Met Names New Director [Artinfo]
Curator at Met Named Director of the Museum [NYTimes]
Tapestry expert named head of NY Met museum [AFP]
Met Picks New Director, Thomas P. Campbell, from Within [Gothamist]

(more…)

Go See: Louise Bourgeois ‘Echo’ at Cheim & Read NYC, through November 1, 2008

Wednesday, September 10th, 2008


Echo (2008) Louise Bourgeois via Cheim & Read

Louise Bourgeois revisits familiar themes in her exhibition Echos, on display now at Cheim & Read. Like Bourgeois’s recent retrospective held at the Guggenheim this past June Echos concentrates on the themes of home, family, motherhood, and sexuality. Echos examines the constructs of the female identity, especially those in conflict such as female/male, organic/geometric, and particular to this exhibit mother/father. Comprised of discarded clothing and aged painted wood the featured sculptures are reminiscent of Bourgeois’s earlier work of the 1940’s and 50’s and serve to represent the familial hierarchies. The gouaches on display depict the relations between mother and child and are influenced in part by Bourgeois’s own role as mother as well as the death of her own mother when the artist was twenty. The paintings which are comprised of blood red paint further the organic aesthetic of the exhibit and mirror the artist’s continual emphasis on nature as seen in her mixed-media exhibit held at the Zurich’s Hauser & Wirth this past June covered here.

Louise Bourgeois at Guggenheim [Art Observed]
Louise Bourgeois Echo at Cheim & Read [Cheim & Read]
Louise Bourgeois: Echo at Cheim & Read [Chelsea Art Galleries]

(more…)

Go See: “High” by Tony Oursler at Lisson Gallery London, Sept 3 – Oct 3

Tuesday, September 9th, 2008


High, ‘Winston, Camel, Salem, Marlboro’
by Tony Oursler, via Lisson Gallery

Acclaimed video and installation artist Tony Oursler’s works will be on display at the Lisson Gallery through October 3rd, 2008. Oursler, who is based in the US, typically incorporates video, sculpture, sound and spoken text in his installations and pieces, and has garnered a reputation for producing pieces that often engage, disturb and fascinate the viewer. Most of the works on display at the Gallery are very recent, and include installations as well as wall-mounted pieces that also tend to incorporate video or sound.

HIGH – TONY OURSLER
Lisson Gallery, London, UK
September 3 – October 3, 2008

Lisson Gallery
Tony Oursler official website
Tony Oursler profile
[ArtInfo]

(more…)

AO On Site (with Video): Swoon and the ‘Swimming Cities of the Switchback Sea’ arrive at Deitch Studios in Long Island City, Sunday, September 7, 2008

Monday, September 8th, 2008


Swimming Cities of Switchback Sea docking at Deitch via Art Observed

Yesterday evening a fleet of seven boats, or floating sculptures, docked at Deitch Studios in Long Island City.  The arrival of the flotilla was part of the opening of a two-part exhibit called the “Swimming Cities of Switchback Sea” designed and constructed by Brooklyn based artist, Swoon. The first part of the exhibit is a large-scale installation inside the Deitch LIC gallery space. The second part takes place on the water with the seven sculptural sea vessels. The hand-made boats, comprised of scrap wood and other found objects and recycled material, started in Troy, New York and have spent the last three weeks on the Hudson River making stops at various locations to do musical and theatrical performances. Swoon has collaborated with playwright Lisa D’amour, composer Sxip Shirey, Kinetic Steam Works from San Francisco, and the band Dark Dark Dark in order to fully bring the flotilla to life. The exhibit will be open to the public until October 18.

Art Observed Exclusive Videos of the opening:
The marching band gets the crowd ready to receive Swoon’s Flotilla via Art Observed [Youtube]
The second ship makes it’s entrance at Deitch Studios via Art Observed [Youtube]

Relevant Newslinks:
A Floating City With Junkyard Roots [NYTimes]
Swoon’s Green Fleet Sails to Queens [Gothamist]
Floating exhibit shows alternative [Times Herald Record]
‘Swimming Cities’ Docks in Manhattan [NYMag]
Swoon: Switchback Cities of Switchback Sea [Coolhunting]
Art Ships Are Stopped [NYTimes]
Swimming Cities of the Switchback Sea [Official Website]
Swoon: Swimming Cities of Switchback Sea [Deitch]

(more…)

Marc Quinn’s gigantic baby sculpture up for private auction by Sotheby’s

Monday, September 8th, 2008


Planet (2008) by Marc Quinn, via London Telegraph

In a literal and symbolic sign of how large the scale contemporary art market has become, a seven ton, ten metre sculpture of a seven-month-old baby is up for sale to private individuals at the aptly named Beyond Limits, a Sotheby’s selling exhibition at Chatsworth, the Peak District home of the Duke and Duchess of Devonshire. The piece entitled “Planet” is one of more than twenty sculptures on display this week at Sotheby’s. The behemoth work is a bronze cast painted in a brilliant shade of white and is modeled after an earlier version inspired by a mold of the artist’s baby son. The work was produced by Marc Quinn, who achieved prominence and notoriety when his sculpture of Alison Lapper (a disabled, pregnant friend of Quinn’s and fellow artist) was placed on the fourth plinth of Trafalgar Square in 2005. Recently the artist reveled a teaser image of his golden statute of Kate Moss which will be unveiled at the Statuephilia exhibit at the British Museum, previously covered here.


Larger than life
[Financial Times]
Giant baby for sale [London Telegraph]
Giant baby for sale on grounds of Chatsworth House
[Telegraph]
Golden Kate Moss joins other goddesses at the British Museum’s ‘Statuephilia’
[ArtObserved]

(more…)

Newslinks for Monday, September 8th, 2008

Monday, September 8th, 2008


–>
Frank Dunphy Damien Hirst’s Manager via D2
–>

–>
On Frank Dunphy the ‘Man behind Damien Hirst’
[Wall Street Journal]
–>
More Damien Hirst pre-sale press here, and more here [TimesUK] and still more here [TIME]
–>
Moscow’s largest collection of Russian art seeks a new building for Modern and Contemporary [Bloomberg]
–>
Japanese film ‘Achilles and the Tortoise’ satirizes the art world [ArtInfo]
–>
Sotheby’s sues buyer to collect commission [NYTimes]
–>
Larry Gagosian is number 38 the New Establishment Top 100 [Vanity Fair]
–>
and Harper’s Bazaar names Tracey Emin “Creative Person of the Year” [Telegraph]
–>

Consumers cop-on to the value of money-off coupons

The Irish Times March 15, 2010 | CONOR POPE MONEY-OFF COUPONS: A big deal in the US and UK, consumers here are increasingly collecting coupons COUPON CLIPPING is not the most glamorous way to pass your time. In fact, hanging on to fliers offering two-for-one deals, religiously cutting coupons out of newspapers and presenting crumpled fliers to restaurant staff might be penny-pinching steps too far for many people. Times are hard but are they really that hard?

While coupons are a big deal in the US, they’ve never really caught on here, with the notable exception of the noble butter voucher which most of us seemed to exchange for cigarettes in the 80s and 90s. But things may be changing. According to one survey from the National Consumer Agency, 30 per cent more people are using coupons than in 2008. When you consider the savings that can be made it’s not hard to see their allure. It’s never going to keep the wolves from the door for long but, if it’s not too much hassle, it’s free cash.

The Irish Independent Directory, which is delivered to 1.3 million homes across the country every year, has hundreds of euro worth of vouchers on everything from pizzas and burgers to taxis and tyres. Meanwhile, a judicious use of online coupon sites can handily knock [euro]20 off a weekly shopping bill.

While people may baulk at producing the crumpled vouchers they’ve found in directories, newspapers or online they are much more likely to use the vouchers earned from being a member of a supermarket loyalty scheme. The key thing about supermarket loyalty schemes is that you need to be as disloyal as you possibly can and sign up to the lot of them.

A clever use of loyalty schemes can make vouchers even more worthwhile than their face value would suggest. Under the Tesco scheme, for instance, a [euro]2.50 clubcard voucher will buy you a [euro]10 token for Milano’s restaurant or Apache Pizza. A [euro]4 voucher gets one adult into Dublin Zoo – admission is normally [euro]15. A [euro]10 voucher, meanwhile, can be handily converted into a [euro]40 voucher from Siblu, the camping specialists in France, effectively giving you a 5 per cent discount off a camping holiday in May or June. And [euro]17.50 worth of vouchers will get you a year’s subscription to Hot Press.

When it comes to supermarket schemes, whether with Tesco, Dunnes Stores, Superquinn or Supervalu, the key is to maximise the number of points you get by keeping an eye out for double point days and products which may attract extra points – as long as you’re going to actually use those products, don’t be suckered into buying something of dubious worth just because of the extra points. website free printable grocery coupons

It is also worth noting that if you sign up to a Tesco credit card, you can get extra points. So, for every [euro]2 you spend with your store credit card, you earn three clubcard points and, when you use the card outside of Tesco, you earn one point for every [euro]2 spent. If you spend [euro]200 on your weekly shop using a Tesco credit card you earn 300 points. While if you spend [euro]500 using the same card you earn 250 points – a total of 550 points.

Dunnes Stores also sends vouchers out to loyalty card members quarterly while Superquinn offers a reward card scheme which can be used in-store or exchanged for One4all vouchers. Supervalu’s Real Reward scheme gives you [euro]1 per point and, when you hit 400 points, you get 5 per cent off your next shop – although this offer is set to expire next month. Supervalu points are also redeemable against get-away breaks.

It is not just the supermarkets which entice shoppers with discount coupons. Boots Advantage Card allows people to redeem points gained on purchases and the store also pushes substantial vouchers for its No. 7 range of products on shoppers who spend over a certain amount, usually around [euro]25. freeprintablegrocerycouponsnow.com free printable grocery coupons

For its part, Brown Thomas has an uber-chic Black Card although it is keen to stress it is nothing as gauche as a loyalty card and, while it does offer discounts based on points accrued, it prefers to stress the benefits for card-holding members of the invites to events where they can get discounted deals (or spend more cash, depending on how you look at it).

AT THE OTHER END OF THE retailing experience – at least when it comes to price – is Ikea, and we thought the store couldn’t get any cheaper. It has a card which offers 25 per cent discounts on its Family range, as well as discounts up to the same amount on other products dotted throughout the store.

It has been the online arena where the biggest growth has been found in recent years with pigsback.com the most heavily promoted website. It offers a range of printable grocery coupons which are accepted in the main retailers – although not, generally speaking in your corner shop. If you were to buy all of the items on the list it would automatically knock [euro]20 off your grocery bill.

Like Tesco, it has a credit card, which enables users to earn extra PiggyPoints. You earn one for every [euro]2 spent on the card plus 2,000 when the account is opened. These points can be used to claim a variety of rewards although climbing the PiggyPoint mountain can seem a little daunting – to get a [euro]10 voucher for TGI Friday’s, you need 900 points, while 4,500 points will get you a [euro]50 Essensuals hair voucher.

“Is this a case of Pigflation?” he wondered.

COUPONS: THE VIEW FROM TWITTER It drives me berserk when old dearies start counting out their coupons, sloooowly, at the checkout. – Catherine I feel a bit cheap with coupons but no problem with online discount codes (no one can see you at checkout). – Anne I do sometimes but then I always forget which safe place I left them in and end up finding them years later. – Annie I use coupons! Sure that’s what they are there for. Coupons here are not as good as in the States though. – Rachelle Have loyalty cards for coffee, Dunnes and Boots and print off coupons from Pigsback. It doesn’t take much time and saves money. – Graham Coupons too damn fiddly and fussy. Besides, suspect prices of other products increased to compensate. – Miriam I can’t even keep a Starbucks loyalty card going for a week. Now if stamps were smartphone-ised . . . – Brendan I don’t, more because I’m disorganised, nothing to do with being scabby. – Adam CONOR POPE

Go See: Vik Muniz’s ‘Verso’ exhibiting at Sikkema Jenins & Co., New York until Oct 11

Sunday, September 7th, 2008


Verso, ‘Starry Night’
(2008) by Vik Muniz via Sikkema Jenkins & Co.

Brazil and Brooklyn based artist Vik Muniz attempts to tell the true tales behind the masterpieces in his exhibition, Verso.  Until October 11th, spectators can witness the three dimensional mixed media works created to imitate famous works such as Les Demoiselles d’Avignon, Van Gogh’s Starry Night and Seurat’s La Grande Jatte.  Muniz closely studied the back of the canvases for over six years to achieve photo-realistic perfection. This series also includes works that imitate backs of archived photographs from the New York Times. Verso is the artist’s personal exploration of originality found in the ‘backs’, which is invisible from the ‘fronts’. His seemingly tedious process uncovers the roots through copying labels, glue stains, dates, and even the slightest dents with precision.

Vik Muniz – Artist’s official website
Sikkema Jenkins & Co.

Vik Muniz – Verso
[Artcal]

(more…)

Newslinks for Sunday September 7th, 2008

Sunday, September 7th, 2008


the sculptor Anish Kappor via the Boston Globe

Sculptor Anish Kapoor set designs for an upcoming Akram Khan play featuring Juliette Binoche [National Theatre, London]
Are Olafur Eliasson’s waterfalls damaging the local natural environment? [ArtInfo]
Relating a past run-in with Francis Bacon and reflecting on his work before his retrospective at the Tate [The Independent]
Author Michael Gross’s ‘Rogues’ Gallery’ exposes the inner circles of the Metropolitan Museum of Art [ArtInfo] Aug 29
Gustav Klimt at the Tate Liverpool brings record attendance [BBC News] while the British National Gallery’s strategy of exhibiting newer artists leads to a sharp drop in paying visitors [Times Online] Aug. 31

Don’t Miss The Opening: Arrival of Christie’s-owned gallery, Haunch of Venison, in New York, Friday September 12

Saturday, September 6th, 2008


Vawdavitch, Franz Kline (1955) via Artinfo

Next Friday, September 12, the new Haunch of Venison gallery in New York City will open its doors for the first time with an exhibit called “Abstract Expressionism – A World Elsewhere”. The exhibition will feature over 60 works from Franz Kline, Willem de Kooning, Lee Krasner, Barnett Newman, Jackson Pollock, Mark Rothko, Aaron Siskind, David Smith and Clyfford Still. The Christie’s owned gallery represents notable artists such as Bill Viola, Keith Tyson, and Wim Wenders and has additional locations in London and Zurich. When the gallery was purchased last year by François Pinault, the owner of Christie’s auction house, there was a substantial amount of controversy surrounding the transaction. The purchase of the gallery presented a new take on the relationship between auction houses and galleries, and how the line might blur between the primary and secondary markets of the art world.

Christie’s auction house buys London’s Haunch of Venison contemporary art gallery [IHT]
Haunch of Venison’s New York Moment [The Imagist]
American Perspective [Artinfo]
Auction Houses Vs. Dealers [NYSun]
Haunch of Venison – “Abstract Expressionism—A World Elsewhere” [Haunch of Venison]

(more…)

Newslinks for Thursday September 4th, 2008

Thursday, September 4th, 2008


Sam Taylor-Wood via TelegraphUK

Sam Taylor-Wood, YBA artist turned filmaker (and wife of White Cube Gallery owner Jay Jopling), to direct John Lennon film [FirstPost]
Selling dealer weighs in on the Leonardo Da Vinci portrait authenticity debate [NYTimes]
More on the contemporary art market’s surge in China [Financial Times]
Louvre to lend 17th-century art to Japan [ArtInfo]
Charlene Weisler documents NY Street art [New York Sun]
A critique of Jeff Koons-in-Chicago as “overexposure” [WallStreetJournal]

AO Auction Preview: Phillips de Pury & Company, London: Street Art Auction Starts September 6

Thursday, September 4th, 2008


–>
White Gloves, KAWS, 2001via Phillips

Phillips de Pury & Company is holding an auction of street art pieces on September 6th, as part of their Saturday@Phillips series. On sale will be a large collection of pieces ranging from paintings, photographs, jewelry, toys, and other various pieces from well-known artists like Kaws, Invader, Judith Supine, Beejoir, and Bast. The auction represents the growing popularity of the street art movement, the influence of which can be seen on fashion shows, advertising, and galleries and museums in the contemporary art world.

The Word on the Street, by Alex Smith [PhillipsArtExpert]
–>
Urban Art Auction At Phillips de Pury September 6 [Highsnobiety]
–>
The Word on the Street [Phillips]

(more…)

Go See: “Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976” at Jewish Museum in New York City through September 21, 2008

Thursday, September 4th, 2008


Convergence, Jackson Pollock (1952) via NYTimes

Up now at the Jewish Museum in New York City is “Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976”. The exhibition includes over 50 key works by 32 artists involved in the Abstract Expressionist movement, including Jackson Pollock, Willem de Kooning, Helen Frankenthaler, and Mark Rothko. A unique aspect of the show is how the work is shown through the perspectives of the two leading art critics of the time, Clement Greenberg and Harold Rosenberg. The Abstract Expressionist artwork that fills the walls of the museum until September 21st is accompanied by texts and opinions, photographs, and film clips of the two prominent critics.

Action Figures: The fifties in paintings and words [The New Yorker]
Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 [The Jewish Museum]
“Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976” [Timeout]
How famed critics Greenberg, Rosenberg impacted markets of De Kooning and Pollack [AO Newslinks 5.15.08]

(more…)

Newslinks for Wednesday September 3, 2008

Wednesday, September 3rd, 2008


Francois Pinault via the TheLuxeChronicles

In February 2009, works from Francois Pinault’s collection coming to Moscow’s Contemporary Culture Centre “Moscow Garage” [RussiaIC]
Hirst’s $100 million diamond encrusted skull to begin its world tour in … Amsterdam [NYSun]
MoMa selects a Chief Curator of Painting from in-house [NY Times] and, the Guggenheim may soon appoint a new Director from Carnegie Museum [NY Times]
The Jeff Koons-in-Versailles debate continues on [TimesOnline]
Matthew Barney is on Ovation TV, airing Wednesday [OvationTV via C-Monster]
New on the global art scene Roman Abramovich’s girlfriend, Dasha Zhukova, basically summarized [Wall Street Journal]

Go See: 'Implant', over 45 artists and their bond with nature, at UBS Art Gallery, New York through October 31

Wednesday, September 3rd, 2008


–>
Untitled (Greenhouse), Peter Coffin at the UBS Gallery via Murmurmostfoul

Located in midtown Manhattan, UBS Gallery presents “Implant”, with around 100 works by 45 artists, including Pipilotti Rist, Peter Coffin, Roman Signer, Felix Gonzalez-Torres, Ellsworth Kelly.  The show was organized by The Horticultural Society of New York, and holds a diverse range of sculptures, paintings, and conceptual works, ranging from the botanically accurate to more abstract interpretations of plant life. Each piece is said to be fueled by the artist’s personal connection (or lack thereof) to the natural kingdom.

The UBS Art Gallery: Implant [UBS]
–>
Yes, the Music Is Lovely, but Will the Plants Like It? [NYTimes]
–>
Horticultural Society of New York: Implant [HSNY]

(more…)

Star power set to lampoon art world in film opening in November

Wednesday, September 3rd, 2008


Charlotte Rampling will star in ‘Boogie Woogie’ via carmenhaid.com

In November of this year ‘Boogie Woogie’ a comedy lampooning the fine art world is set to be released. Boogie Woogie has a strong cast and is directed by the documentary film maker Duncan Ward, who is the husband of art curator Mollie Dent-Brocklehurst. The film is based on a novel published in 2000 and written by Danny Moynihan, who was once curator and is a friend of the artist Damien Hirst. Hirst created a limited-edition cover for the book which featured works by Sarah Lucas, Marc Quinn and Jeff Koons. Additionally, Charles Saatchi was quoted in the jacket comments for the book.

Top-notch cast lined up for art world spoof [Guardian UK]
Boogie Woogie movie detail [IMDB]
Boogie Woogie the novel [Amazon]
(more…)

Newslinks for Tuesday September 2, 2008

Tuesday, September 2nd, 2008


A rather political work by Banksy spotted in Alabama via Supertouch

Banksy, moving north from New Orleans, (previously covered by AO here), to Alabama [Supertouch]
In October an artist will allow you to stay in a hotel room set up at the Guggenheim [GuardianUK]
New York Magazine highlights 30 art shows for the Fall [NYMag]
Explaining the dearth of Japanese curators [JapanTimes via Artsjournal]
Two books reviewed on the exploits Han van Meegeren: master forger [NYSun]
The Moment reports on vast industrial artspaces at Manifesta 7 in the Italian Alps [The Moment]

Golden Kate Moss joins other goddesses at the British Museum’s ‘Statuephilia’ exhibition

Tuesday, September 2nd, 2008


Gold Kate Moss sculpture (left), Kate Moss (Right) via Telegraph

British sculptor Marc Quinn is about to unveil the golden sculpture of celebrity, Kate Moss, 34, as part of the  Statuephilia exhibit at the British Museum.  Entitled Siren, it is reportedly the largest golden sculpture created since ancient Egypt.  However, the ‘solid’ gold sculpture is actually hollow, weighing exactly110 pounds (50kgs). Moss’s modern ideal beauty is immortalized and will be on display among statue of ancient goddesses like naked Aphrodite and Venus.  Quinn remarked, “I thought the next thing to do would be to make a sculpture of the person who’s the ideal beauty of the moment, but even Kate Moss doesn’t live up to the image.” At the moment, the British Museum has revealed only a teaser image, therefore only a glimpse of the statue’s face is publicized.  Following the similar theme of his previous Kate Moss-series Sphinx show, held in New York last year, covered by Art Observed, Moss will be captured in a seemingly uncomfortable yogic pose.

Kate Moss gets the golden touch as she’s immortalised in gold [Daily Mail]
Statuephilia – Contemporary Sculptors at the British Museum [Art Daily]
Solid gold statue of Kate Moss unveiled at British Museum [Telegraph]
Kate Moss Joins Gild: Mega-Statue Museum-Bound
[E Online]
A model who’s worth her weight in gold (50kg, to be precise)
[The Independent]
Marc Quinn’s 18 Carat Gold Kate Moss [The World’s Best Ever]
Marc Quinn to Unveil Gold Kate Moss “Sphinx” Sculpture
[Supertouch]
The British Museum
(more…)