James Turrell: A Retrospective | James Turrell by Giménez, Trotman and Zajonc | James Turrell: Geometry of Light |
James Turrell, Aloka’s Flower (2009), photo by Florian Holzherr, via Garage Center.
American artist James Turrell’s first exhibition in Russia is a retrospective at Moscow’s Garage Center for Contemporary Culture. The exhibition consists of works that span Turrell’s long career, from early pieces to a site-specific piece, ‘Purusa.’ The exhibition is curated by the former director of the Henry Art Gallery at the University of Washington, Richard Andrews.
More text and images after the jump…
Photo of James Turrell, by Grant Delin, via Interview.
Turrell has been making artworks, including installations and light-sculptures, that involve light and perception for over forty years. He began work on the Roden Crater, a volcanic crater in the Painted Desert of northern Arizona, in 1972, and continues to work on the celestial observatory. The exhibition at Garage consists of more than 15 pieces, including the new ‘Perusa’ (2011), an immersive light landscape – without horizon – that engulfs the viewer. This new work can disorient the viewer by confusing his or her perceptual apparatus, though Turrell’s aim is to have us ‘feel with your eyes’, producing a (hopefully) spiritual experience, in addition to an aesthetic one.
James Turrell, plaza at Roden Crater (ongoing), photo by Grant Delin, via Interview.
On exhibition, are also several models for ‘Autonomous Structures’. These pieces are freestanding chambers with an opening to the sky. These openings, and the view they encompass, are called Ganzfelds, or Skyspaces. Turrell explains, ‘that ‘Autonomous Structures’ are containers for the light, and that ‘the art is in the experience of the viewer.’  These smaller models stem from Turrell’s continuing project- that of converting the Roden Crater into an enormous observatory.
James Turrell, Acro, red (1968), photo by Grant Delin, via Interview.
The exhibition also includes several other works, including two of the artist’s constructions; ‘Space Division Construction’ where space is divided between viewer and light, and ‘Shallow Space Construction’, where the viewer is forced to enter into some architectural space to experience the work. There is also a piece from the ‘Wedgework’ series, as well as seven reflective and transmissive ‘Holograms’.
James Turrell, Twilight Arch (1991), via Garage Center.
Turrell’s work challenges the senses, and not only one’s vision; interacting with the installations and light sculptures requires a certain amount of openness to the possibility of something un-ordinary. The pieces in this exhibition provide the viewer with just such an opportunity, and can be seen until August 21.
A. Bogart
Related Links:
Exhibition site; Garage Center for Contemporary Culture
Interview with Turrell; Interview Magazine
James Turrell: A Retrospective | James Turrell by Giménez, Trotman and Zajonc | James Turrell: Geometry of Light |