Marlene Dumas is profiled in the New York Times this week as she prepares for a major career retrospective at the Stedelijk Museum in Amsterdam, and reviews her ongoing investigations of history, painting and her take on her success as a female artist.  “It’s not that I don’t want to be known,” she says, but “I want the other women artists to do well, and then I’ll be pleased to do well.”

Read more at New York Times

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