The New York Times profiles the British-born, Los Angeles-based Thomas Houseago, whose work is notoriously unpredictable and has on occasion fallen apart in the midst of its construction.  “I believe in these broken sculptures,” he says. “I love that. Sculpture is a constant dance with gravity. In my case, anyway.”

Read more at New York Times

This entry was posted on Friday, November 7th, 2014 at 9:04 pm and is filed under Art News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.