The Guardian has published an article examining the comic sensibilities of René Magritte, and his deliberately succinct style of painting that some liken to its own brand of a visual punchline.  “Magritte always claimed he was against interpretation,” says Professor Elsa Adamowicz. “His images suggest narratives or meaning, but that meaning is suspended, as in our dreams.”

Read more at The Guardian

This entry was posted on Wednesday, February 25th, 2015 at 8:44 pm and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.