Erwin Wurm is interviewed in The New York Times this week, as he prepares to open a show of his One Minute Sculptures at the MAK Centre’s Schindler House this week.  “What I like here is the minimal, nearly Japanese structure,” Wurm says. “He was escaping a powerful social structure in Austria, and my work also deals with questions of freedom: freedom of choice, free will, economic dependence.”Read more at NYT

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