The New York Times notes the installation of James Rosenquist’s work at Donald Judd’s former SoHo home, and the conversations between pop art and minimalism that has resulted from the show.  “There’s this myth that the two movements were against each other somehow, and it’s complete nonsense,†Judd’s son Flavin says. “Don and James were good artists. And I think that’s the only required commonality.â€
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