The New York Times takes a deeper exploration of the Frans Haals forgery that had convinced experts at the Louvre and the Rijksmuseum, and which was recently discovered as a falsely attributed canvas.  “The ones who have researched it until now are good researchers, but they’re not familiar with the handwriting of Frans Hals, so to speak, so that’s an extra reason to be careful,†says Martin Bijl, a Dutch Masters restoration professional.
Read more at NYT
