Frances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,†Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’â€Â
Read more at The Guardian
