The New York Times has a lengthy piece profiling Santander, Spain’s new Centro Botín, the Renzo Piano-designed building recently completed in the city, and the institution’s efforts to reinvigorate the Spanish city as a cultural hub. “I’m sure that the Botín Foundation will guarantee continuity here and not do anything suicidal,” said Vicente Todolí, a former director of the Tate Modern in London and head of the Botín’s visual arts advisory committee. “You don’t invest in a Formula One car and then not have it compete.”

Read more at NYT

This entry was posted on Wednesday, July 5th, 2017 at 11:19 am and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.