Marc Quinn’s upcoming installation for the NYPL is profiled in Forbes this week, as the artist collects blood from 10,000 people to create two sculptures, one with the blood of refugees and one with the blood of other donors. “It’s the type of thing you look at and say: ‘I can’t say which one I am, so I must be both,’†he says. “There’s no difference between them. They’re like a gateway, in a way. They’re about arrivals and departures.â€
Read more at Forbes
