Artist Nicholas Galanin has a piece in Art News this week as he discusses his decisions to pull work from this year’s Whitney Biennial. “My decision to remove my work from the Whitney came when my hope for meaningful conversation was met with inaction—on the part of many but, most fatefully, by the museum, which for weeks and then months failed to issue any meaningful response to protests mounting within its walls,” he says. “For me, that inaction translated to complicity with militarized denial of the right of Indigenous people to freely move through land that we belong to.”
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