The New York Times profiles Trevor Paglen’s recent project ImageNet Roulette, and its critiques of AI-driven data analysis. “We want to show how layers of bias and racism and misogyny move from one system to the next,” Paglen says. “The point is to let people see the work that is being done behind the scenes, to see how we are being processed and categorized all the time.”

Read more at NYT

This entry was posted on Monday, September 23rd, 2019 at 2:04 pm and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.