A piece in the NYT notes the current re-evaluation of the historical resonance and market of Ruth Asawa, the Japanese-American artist whose pioneering wire sculptures and influential practice at Black Mountain College are receiving a renewed interest.  

Read more at NYT

This entry was posted on Tuesday, July 21st, 2020 at 11:05 am and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.