Armand Doré, Nude, Smoking and Reclining (c. 1860-65)

The French Exit group show brought to life by the curatorial eye of Mattias Vendelmans invites a dialogue between artists and their muses, considering just what happens when one skips the farewell in search of something more enticing after dark. How does the basic notion of privacy and vulnerability continue to pique our curiosity? Spanning works from oil paintings and sculptures to pen and paper, from Baudelairean Paris to the suburbs of 1930s Stockholm, an ongoing exploration of organic tenderness and bestiality in human nature unfolds.

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“To approach this new chapter differently, instead of viewing it as a carte blanche, we embraced the challenge of considering the many existing peripheral elements while exploring the centre as a void,” begins Minsuk Cho: this year’s chosen designer of the annual Serpentine Pavilion. With a background in hospitality, commercial and visual art projects across South Korea, Mass Studio’s founder brings a layered understanding of human interaction with one’s environment to this year’s installation.

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