The LA Times looks at the immense efforts taken at the Broad Museum to ready the exhibition space, including the negotiations in installing and managing immense artworks like a recently purchased Takashi Murakami piece.  “Contemporary art is so varied in form, material and scale that you often need to devise new approaches for moving and installing certain pieces,” says the Broad’s director of collections management, Vicki Gambill.  “That’s what makes the work infinitely interesting and complex. Preparators love solving problems.”
Read more at LA Times
